On July 5, 2023, the song "Piya More Bohot Nadan Baa" was released by Bijli Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Bijli Rani Hit Songs by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Piya More Bohot Nadan Baa is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Piya More Bohot Nadan Baa by Bijli Rani is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palna | Chhagan Chougule | G Major | 5 | 9B | 133 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Saraswati Chalisa Maha Superfast | Manjeera Ganguly, Kuldeep Shukla | A Minor | 9 | 8A | 130 BPM | ||
| Mangala Anukula Nam | Satsangee, Haseena Hazarika, Shanta Uzir | F Major | 6 | 7B | 80 BPM | ||
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Hum Kaise Bhulaai | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Khatu Shyam Mandir Aarti | Anup Jalota, Devyani Majumdar | F Major | 6 | 7B | 94 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Darshan Diya Maa Durga Bhawani | Dilip Dharbhangiya | B Major | 8 | 1B | 142 BPM | ||
| Tune Thama Jo Hath Mera | Ayus Somani | D Minor | 5 | 7A | 144 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM | ||
| Kan Kan Su Gunje Jay Jay Rajasthan | Prakash Mali | B♭ Minor | 7 | 3A | 87 BPM | ||
| Darshan Diya Maa | Dilip Darbhangiya | F♯ Major | 7 | 2B | 142 BPM | ||
| Bolo Dhajaband Dhare | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Khadi Hu Dar Mai Bhole Chadau Kya Tumhe Bhole | Chanchal Prajapati | D♭ Major | 9 | 3B | 120 BPM | ||
| Meri Nikli Jaye Jaan | Attaullah Khan | F Major | 7 | 7B | 141 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Najriyan Na Lage | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Tola Bandav Vo 2 | Gorelal Barman | A♭ Minor | 7 | 1A | 116 BPM | ||
| Mohabbat Ki Qeemat Ada Hum Karenge | Shahid Ali Khan | F♯ Major | 6 | 2B | 165 BPM | ||
| Karin Hum Kaun Bahana | Madan Rai | A♭ Minor | 7 | 1A | 118 BPM |