"Requiem: Pie Jesu" by John Rutter, Caroline Ashton, The Cambridge Singers, City of London Sinfonia had its release date on September 2, 2014. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Rutter: A Double Celebration". In this album, this song's track order is #10. Requiem: Pie Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Pie Jesu by John Rutter, Caroline Ashton, The Cambridge Singers, City of London Sinfonia having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Dixit Maria | Hans Leo Hassler, St. Peters Catholic Church Choir | E Minor | 1 | 9A | 126 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
| Ave verum corpus, T. 92 | William Byrd, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 87 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place | Johannes Brahms, John Rutter, Aurora Orchestra, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Missa Festiva (Kyrie) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | E Minor | 3 | 9A | 80 BPM | ||
| Snow Angel: III. God Will Give Orders | Sarah Quartel, Ariose Women's Choir, Helen Stuart, Jolaine Kerley, Kathleen de Caen | G Minor | 1 | 6A | 84 BPM | ||
| All-Night Vigil, Op. 37: XII. Glory to God in the Highest | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Bryan Pinkall | E Minor | 4 | 9A | 94 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| Christus Natus Est | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 142 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| Ave Maria, Angelus Domini | Voices Of The Cathedral | B Major | 2 | 1B | 77 BPM | ||
| Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM | ||
| All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | ||
| O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
| The Apostles' Creed - Lord's Prayer | Anonymous, Simon Wall, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Wherever You Are | Paul Mealor, Cai Thomas, Choristers of St Thomas-on-The Bourne, Robert Lewis | B♭ Major | 3 | 6B | 64 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM |