"The Book - From “Back To The Future Pt. II” Original Score" by Alan Silvestri had its release date on January 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 37 in Back To The Future Part II (Original Motion Picture Soundtrack / Expanded Edition) by Alan Silvestri. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Book - From “Back To The Future Pt. II” Original Score's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Book - From “Back To The Future Pt. II” Original Score by Alan Silvestri is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| One Hundred and One Dalmatians (Main Titles) / Good Morning, Pongo / Walking The Dog | Michael Kamen | C Major | 1 | 8B | 109 BPM | ||
| Norman | Steven Price | B♭ Major | 5 | 6B | 120 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| Fate Has Smiled Upon Us | Marc Streitenfeld | E Minor | 4 | 9A | 91 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| The Center Of The Earth | Andrew Lockington | G Major | 1 | 9B | 80 BPM | ||
| Checking Out The Cave | David Newman | F Major | 1 | 7B | 78 BPM | ||
| Oliver Queen Suite | Blake Neely | D♭ Major | 2 | 3B | 95 BPM | ||
| A Whole World You Haven't Seen | Ramin Djawadi | F Minor | 3 | 4A | 100 BPM | ||
| The Exchange | Lorne Balfe | D Major | 6 | 10B | 110 BPM | ||
| Moves Like an Ape, Looks Like a Man - From "Tarzan"/Score | Mark Mancina, Phil Collins | B♭ Minor | 1 | 3A | 139 BPM | ||
| The A400 | Joe Kraemer | G Major | 2 | 9B | 127 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Jyn Erso & Hope Suite | Michael Giacchino | G Major | 1 | 9B | 72 BPM | ||
| No Following | Michael Kamen | A Minor | 1 | 8A | 87 BPM | ||
| A Foggy Night in London | Joe Kraemer | C Major | 4 | 8B | 138 BPM | ||
| Your Father Would Be Proud | Michael Giacchino | G Major | 1 | 9B | 140 BPM | ||
| Prologue | John Williams | B♭ Minor | 3 | 3A | 61 BPM | ||
| Dad | Mychael Danna, Jeff Danna | D♭ Minor | 2 | 12A | 98 BPM | ||
| Main Title | James Horner | C Major | 0 | 8B | 169 BPM | ||
| The How Works | Alan Silvestri | G Major | 1 | 9B | 178 BPM | ||
| The Glory Days | Michael Giacchino | F Minor | 3 | 4A | 80 BPM |