N.R.P.Ravichandran's ' "Bavanutha" was released on its scheduled release date, April 1, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in N.R.P.Ravichandran's "Marugelara" album is number 5 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Bavanutha is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bavanutha by N.R.P.Ravichandran to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swaminatha Paripalaya | Sooryagayathri | A Major | 6 | 11B | 80 BPM | ||
| Yennallani Vaechenu | P. Susheela | D♭ Major | 4 | 3B | 105 BPM | ||
| Raathinkal | Johnson, K. J. Yesudas | C Major | 3 | 8B | 147 BPM | ||
| Jaya Mangalam | G Balakrishna Prasad | F Major | 7 | 7B | 130 BPM | ||
| Nayakanai Pada | Soolamangalam Sisters | F Minor | 4 | 4A | 86 BPM | ||
| Bavanutha | N.R.P.Ravichandran | A♭ Major | 7 | 4B | 117 BPM | ||
| Classical Bit | Raveendran, Kaithapram, K. S. Chithra | C Major | 8 | 8B | 134 BPM | ||
| Jagajjanani - Instrumental | N.R.P.Ravichandran, Manikandan | B♭ Major | 8 | 6B | 162 BPM | ||
| Dandakam | M. Balamuralikrishna | C Major | 7 | 8B | 81 BPM | ||
| Thiruppugazh | Mambalam M.K.S. Siva | B♭ Major | 9 | 6B | 181 BPM | ||
| Raghupathi Raghava | Veeramanidaasan | B Minor | 5 | 10A | 107 BPM | ||
| Maapu Nalgu | M. G. Radhakrishnan, M. G. Sreekumar | G Major | 2 | 9B | 154 BPM | ||
| Ganapathi | M. G. Sreekumar | G Minor | 5 | 6A | 155 BPM | ||
| Sotrunai Vediyan | Pa. Sargurunathan | E♭ Minor | 8 | 2A | 148 BPM | ||
| Alarippu - Kalyani - Mishra Chappu - With Tirupugazh | O.S. Arun, M.S. Sukhi | F Minor | 10 | 4A | 104 BPM | ||
| Jaya Jaya Gananadha | V. Ramakrishna | A♭ Major | 4 | 4B | 75 BPM | ||
| Arul Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Yamunayil Kharaharapriya | K. J. Yesudas | E♭ Minor | 2 | 2A | 139 BPM | ||
| Thanga Mayam Revival | Sirkazhi Govindarajan | E♭ Minor | 6 | 2A | 101 BPM | ||
| Kanti Akthilanda | G Balakrishna Prasad | B Major | 4 | 1B | 144 BPM | ||
| Chinnan Chiru Pen | N.R.P.Ravichandran, Manikandan | A Major | 7 | 11B | 169 BPM | ||
| Hoova Thanniri | Vijay Urs | C Minor | 6 | 5A | 178 BPM | ||
| Arumugam Arumugam Thiruppugazh | Dr. Shobana Vignesh | D♭ Major | 3 | 3B | 152 BPM | ||
| Matru Patru | SIVA DAMODHARAN AYYA | C Major | 6 | 8B | 140 BPM | ||
| Guruvayurambalam | P. Jayachandran | A♭ Minor | 4 | 1A | 140 BPM |