Michael Price's 'For Doubt Will Come - 14th June' had a release date set for March 29, 2017. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 30 in Diary by Michael Price. For Doubt Will Come - 14th June is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of For Doubt Will Come - 14th June by Michael Price is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| Still Life With Glass Of Absinthe & A Carafe | Clint Mansell | D Minor | 2 | 7A | 120 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Sandham | Michael Price | C Major | 1 | 8B | 138 BPM | ||
| To Begin - 23rd May | Michael Price | D Major | 0 | 10B | 73 BPM | ||
| Easter | Michael Price | C Major | 0 | 8B | 85 BPM | ||
| I Am The Doctor | Murray Gold | B Major | 2 | 1B | 61 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| The Equation | Chad Seiter | E Minor | 0 | 9A | 180 BPM | ||
| Relationship | Turgut Kazimov, Tourgut | D Major | 3 | 10B | 180 BPM | ||
| Miss Peregrine's Home for Peculiar Children | Mike Higham, Matthew Margeson | D Major | 3 | 10B | 89 BPM | ||
| Power | Jeff Beal | E Minor | 4 | 9A | 172 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| The Message | Howard Shore | B Minor | 0 | 10A | 120 BPM | ||
| Roll Call | Jeff Beal | E♭ Major | 1 | 5B | 92 BPM | ||
| Panic, Shear Bloody Panic | Hans Zimmer | A Major | 3 | 11B | 142 BPM | ||
| Play the Ponies | Jo Blankenburg | A♭ Major | 9 | 4B | 109 BPM | ||
| Eshkeri: Lamia's Lair | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 5 | 10B | 149 BPM | ||
| Ceiling Games | Carlos Rafael Rivera | A Minor | 1 | 8A | 120 BPM | ||
| Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | ||
| That Night He Told Me Everything | Craig Armstrong | C Major | 1 | 8B | 69 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| The Game is On | David Arnold, Michael Price | C Major | 3 | 8B | 120 BPM | ||
| Houston | Justin Hurwitz | E♭ Minor | 2 | 2A | 132 BPM |