Michael Price's 'To Begin - 23rd May' had a release date set for March 29, 2017. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. To Begin - 23rd May's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 30 in Diary by Michael Price. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. To Begin - 23rd May is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of To Begin - 23rd May by Michael Price is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miss Peregrine's Home for Peculiar Children | Mike Higham, Matthew Margeson | D Major | 3 | 10B | 89 BPM | ||
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Welcome To London | Junkie XL | G Major | 6 | 9B | 89 BPM | ||
| The Equation | Chad Seiter | E Minor | 0 | 9A | 180 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| Hell Hath No Fury | Rupert Gregson-Williams | B Minor | 5 | 10A | 90 BPM | ||
| Alan (From "The Imitation Game" Soundtrack) | Alexandre Desplat, London Symphony Orchestra | D Minor | 2 | 7A | 59 BPM | ||
| The Rising Tide | Bear McCreary | D♭ Major | 3 | 3B | 95 BPM | ||
| Domestic Pressures | Jóhann Jóhannsson | A Minor | 1 | 8A | 156 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| Harlan's Plan | Nathan Johnson | D Major | 2 | 10B | 85 BPM | ||
| Shipwrecked | Joseph Trapanese, The Budapest Art Orchestra | D Minor | 2 | 7A | 115 BPM | ||
| My Mistake | Michael Price | C Minor | 2 | 5A | 71 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Ilsa's Library | John Williams | A Minor | 0 | 8A | 72 BPM | ||
| The Orange Tree | Philip Glass | G Minor | 2 | 6A | 105 BPM | ||
| Mercury | Edmund Percival Montfort | E♭ Minor | 2 | 2A | 100 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| A New Day In The Old Town | Chris Tilton | C Minor | 2 | 5A | 160 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| Houston | Justin Hurwitz | E♭ Minor | 2 | 2A | 132 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | ||
| The Final Arrow | Marc Streitenfeld | F Minor | 1 | 4A | 66 BPM |