"Welcome To London" by Junkie XL had its release date on December 14, 2018. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Welcome To London's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Junkie XL's "Mortal Engines (Original Motion Picture Soundtrack)" album is number 4 out of 20. On top of that, United States appears to be the country where this track was created. Welcome To London is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Welcome To London by Junkie XL to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blackheart Beat | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM | ||
| Recognizer - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 5 | 3B | 104 BPM | ||
| The Dominoes Fall | Dario Marianelli | A Minor | 4 | 8A | 120 BPM | ||
| Wonder Woman, a Call to Stand / A World Awakened | Junkie XL | C Major | 10 | 8B | 142 BPM | ||
| Torsion | Mark Petrie | A Minor | 4 | 8A | 144 BPM | ||
| The Torus | Joe Kraemer | B♭ Minor | 1 | 3A | 99 BPM | ||
| Fury Drives Into Camp | Steven Price | G Minor | 4 | 6A | 90 BPM | ||
| Dek of the Yautja | Sarah Schachner | B♭ Major | 4 | 6B | 124 BPM | ||
| The West Was Built on Legends | Christopher Young | F Major | 2 | 7B | 105 BPM | ||
| Iced Inc. | Die Another Day Soundtrack | C Major | 9 | 8B | 156 BPM | ||
| Ascension | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Mission: Impossible – Dead Reckoning Part One (Music from the Official Teaser Trailer) | Lorne Balfe | A♭ Major | 3 | 4B | 90 BPM | ||
| The Black Manta (feat. Jim Davies & Future Funk Squad) | Rupert Gregson-Williams, Future Funk Squad, Jim Davies | A♭ Major | 5 | 4B | 90 BPM | ||
| Caesar Says No | Patrick Doyle | F Major | 1 | 7B | 60 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Magneto | Henry Jackman | A♭ Major | 8 | 4B | 85 BPM | ||
| Stronger Together | Joseph Shirley, Ludwig Göransson | A♭ Major | 0 | 4B | 80 BPM | ||
| The Hotel Ambush | Don Davis | A Minor | 3 | 8A | 140 BPM | ||
| Logan Through Time | Harry Gregson-Williams | E Minor | 5 | 9A | 170 BPM | ||
| The Border | Jóhann Jóhannsson | B♭ Minor | 2 | 3A | 90 BPM | ||
| Mission: Impossible The Final Reckoning | Jamie Evans Music | G Major | 5 | 9B | 90 BPM | ||
| Engländer | Thomas Newman | B♭ Minor | 3 | 3A | 100 BPM | ||
| End Credits | Junkie XL | E Minor | 9 | 9A | 86 BPM | ||
| Approaching the Beach | John Murphy | C Major | 4 | 8B | 205 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM |