On 2004, the song "The Morris Dances" was released by Ray Noble. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. The Morris Dances's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Ray Noble: The Complete Standard Transcriptions". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, The Morris Dances's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Morris Dances by Ray Noble having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're so Desirable | Howard Phillips, Ray Noble | F Minor | 1 | 4A | 113 BPM | ||
| Dipsy Doodle | Larry Clinton | B Major | 4 | 1B | 179 BPM | ||
| Cry, Baby, Cry | Larry Clinton, Bea Wain | F Major | 3 | 7B | 97 BPM | ||
| Margie - Remastered | Eddie Cantor | F Minor | 3 | 4A | 115 BPM | ||
| I Got Rhythm | Red Nichols | G Minor | 3 | 6A | 127 BPM | ||
| What's the Good Word Mr. Bluebird | Harry Roy and His Orchestra | F♯ Major | 4 | 2B | 100 BPM | ||
| Until You Fall In Love | Anne Shelton | E♭ Major | 4 | 5B | 137 BPM | ||
| Corky Stomp - Remastered | Andy Kirk & His Clouds Of Joy | G Minor | 1 | 6A | 79 BPM | ||
| Dream Train | Nat Shilkret | B♭ Minor | 2 | 3A | 142 BPM | ||
| What More Can I Ask | Ray Noble | G Minor | 2 | 6A | 118 BPM | ||
| Isn't It a Lovely Day? | Carroll Gibbons & His Boyfriends, Hildegarde | E Minor | 0 | 9A | 131 BPM | ||
| Niagara | The London West End Orchestra | C Major | 4 | 8B | 93 BPM | ||
| Dardanella (Original Mix) | Ben Selvin | G Major | 4 | 9B | 92 BPM | ||
| Blue Moon | Vaughn Monroe | E♭ Minor | 4 | 2A | 90 BPM | ||
| Mairzy Doats | The Merry Macs | B♭ Minor | 4 | 3A | 141 BPM | ||
| How's Chances | Henry Hall | F Major | 1 | 7B | 79 BPM | ||
| There's Too Many Eyes | Art Jarret & Ted Weems Orchestra | F Minor | 2 | 4A | 104 BPM | ||
| Let's Have Another Cup o' Coffee | Henry Hall, The BBC Dance Orchestra | E♭ Major | 4 | 5B | 201 BPM | ||
| Wherever You Are | Ray Noble | E♭ Major | 4 | 5B | 179 BPM | ||
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| Cabin of Dreams | Century Jukebox, Ted Weems, Public Domain | A♭ Major | 3 | 4B | 94 BPM | ||
| Me and You | Ivie Anderson, The Duke & Beyond | D Minor | 4 | 7A | 97 BPM | ||
| She's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928] | Billy Jones, Ernest Hare | E Minor | 2 | 9A | 120 BPM | ||
| Organ Grinder's Song | Red Nichols and His Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Jersey Bounce | Ozzie Nelson & His Orchestra | C Minor | 5 | 5A | 174 BPM |