"Shelter" by Charlie Chaplin had its release date on 1942. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "The Gold Rush (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Shelter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shelter by Charlie Chaplin having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ambassador Retires | Charlie Chaplin, Thomas Beckmann | D Major | 1 | 10B | 67 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| Friends | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Christine In Hotel Corridor | Original Soundtrack | A Major | 1 | 11B | 168 BPM | ||
| The Blue Serenade (Complete Version) | Victor Borge, Paul Baron Orchestra, Paul Baron | G Major | 1 | 9B | 85 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Tangeri | Paolo Buonvino | E♭ Minor | 1 | 2A | 60 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Play It Sam... Play "As Time Goes By" | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 123 BPM | ||
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Sur un marché persan | The London Promenade Orchestra, Stanley Myers | F Major | 2 | 7B | 109 BPM | ||
| Little Tragedies, Chapter 2 "Egyptian Nights": Waltz No. 1 | Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | D Major | 0 | 10B | 96 BPM | ||
| El pasajero oscuro | Gabriel Andrés Gallegos, Budapest Art Orchestra | G Minor | 1 | 6A | 105 BPM | ||
| Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
| Bella vita | Brice Davoli | C Major | 3 | 8B | 79 BPM | ||
| Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275 | Luigi Boccherini, Saint Paul Chamber Orchestra, Bobby McFerrin | A Major | 0 | 11B | 91 BPM | ||
| Velvet Compass Waltz | Bheto VN | B♭ Major | 2 | 6B | 111 BPM | ||
| Orchestral Suite No. 3 In D Minor, BWV 1068: Aria | The Swingle Singers | D Major | 0 | 10B | 61 BPM | ||
| Siete de Abril | Bryce Dessner | C Minor | 3 | 5A | 188 BPM | ||
| Ballad Du Paris | Francois Parisi | D♭ Major | 4 | 3B | 129 BPM | ||
| Glamor Waltz | Valeriy Antonyuk | E♭ Major | 4 | 5B | 90 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Return To Villefranche (from "An Affair To Remember") | Gary Grant, Deborah Kerr | E Major | 1 | 12B | 81 BPM | ||
| Blue Morgan (End Credits) - From "Million Dollar Baby" | Clint Eastwood | C Major | 0 | 8B | 72 BPM |