"Ballet Scenes, In The Fields" by André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra had its release date on September 30, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 11 in Andre Mathieu: Concerto No. 4, Orchestral Works by André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra. The popularity of Ballet Scenes, In The Fields is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ballet Scenes, In The Fields by André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 6, Intermezzo in E-Flat Minor | Johannes Brahms, Piotr Anderszewski | D♭ Major | 1 | 3B | 91 BPM | ||
| Printemps Canadien (Canadian Spring) | André Mathieu, Alain Lefèvre | F♯ Major | 1 | 2B | 70 BPM | ||
| Sonate pour violon et piano: II. Largo | André Mathieu, Andrea Tyniec, Jean-Philippe Sylvestre | C Minor | 0 | 5A | 169 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | G Major | 1 | 9B | 79 BPM | ||
| Ballet Scenes, Lullaby | André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra | E♭ Minor | 0 | 2A | 61 BPM | ||
| Mathieu / Arr. Wastor: Concertino No. 2, Op. 13: II. Andante | André Mathieu, Alain Lefèvre, Hélène Mercier | E♭ Minor | 0 | 2A | 99 BPM | ||
| Ellens Gesang III, Op. 52, No. 6, D 839: Ave Maria in B-Flat Major (Arr. for Violin and Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
| 3 Romances, Op. 11: No. 2 in G Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: 3. Finale. Presto scherzando | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | A Minor | 1 | 8A | 106 BPM | ||
| Prélude Nº 5 (1951), « Prélude romantique » | André Mathieu, Marc Bourdeau | E♭ Minor | 1 | 2A | 168 BPM | ||
| String Sextet, Op. 48: III. Furiant. Presto - Trio | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen, Gary Hoffman | A Major | 2 | 11B | 125 BPM | ||
| Valses nobles, D. 969 | Franz Schubert, Daniel Barenboim | D♭ Major | 1 | 3B | 91 BPM | ||
| Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | ||
| 2 Sonatinas for Piano, Op. 1 No. 1: II. Larghetto | Georgijs Osokins, Arvo Pärt | B♭ Minor | 0 | 3A | 90 BPM | ||
| Suk: Elegie in D-Flat Major, Op. 23 (Adagio - Poco più mosso): | Josef Suk, Ahn Trio | A♭ Major | 0 | 4B | 83 BPM | ||
| Bassoon Scherzo No 1 F# Minor | Nikolas Eleftheriou | F♯ Minor | 0 | 11A | 125 BPM | ||
| Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt | Franz Liszt, György Cziffra | A♭ Major | 0 | 4B | 136 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | D♭ Minor | 1 | 12A | 94 BPM | ||
| Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Piano Sonata No. 2 in G Minor, Op. 22: II. Andantino | Robert Schumann, Murray Perahia | D♭ Major | 0 | 3B | 130 BPM | ||
| The Seasons, Op. 67: IV. Petit Adagio | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F♯ Major | 0 | 2B | 71 BPM | ||
| Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | ||
| Ysaÿe: Rêve d’enfant, Op. 14 | Eugène Ysaÿe, Renaud Capuçon | B♭ Minor | 1 | 3A | 67 BPM |