"Francesca da Rimini, Op. 4, Act II, Scene 6: Viva! Viva! Viva Messer Giovanni Malatesta! (Gianciotto, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Philippe Roillon, Kammerchor Sofia had its release date on 1994. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #21 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act II, Scene 6: Viva! Viva! Viva Messer Giovanni Malatesta! (Gianciotto, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 6: Viva! Viva! Viva Messer Giovanni Malatesta! (Gianciotto, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Philippe Roillon, Kammerchor Sofia has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act II, Scene 6: Viva! Viva! Viva Messer Giovanni Malatesta! (Gianciotto, Chorus) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Tosca, Act I: Eccellenza, vado? – Gente là dentro! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Francesca da Rimini, Act II: È dolce cosa rivedere la vostra faccia (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Manon Lescaut / Act 2: Dispettosetto questo riccio! | Giacomo Puccini, Mirella Freni, Dwayne Croft, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 91 BPM | ||
| Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 0 | 4B | 168 BPM | ||
| Wagner: Lohengrin, Act 1: "Einsam in trüben Tagen" (Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow | F Major | 0 | 7B | 86 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
| Francesca da Rimini, Act IV: O Biancofiore, piccola tu sei! (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Anna Maria Rota, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Vecchia terra di Ekebù | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 4 | 10B | 115 BPM | ||
| La Bohème / Act 3: "Mimì è tanto malata!" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 3 | 3B | 76 BPM | ||
| Pagliacci, Act I: Stridono lassù | Ruggero Leoncavallo, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D Major | 1 | 10B | 86 BPM | ||
| Madama Butterfly, Act I: Ieri son salita tutta sola in segreto alla Missione - 2013 Remastered Version | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 138 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| Giménez: La tempranica: Canción. "Sierras de Granada" | Geronimo Gimenez, Victoria de los Ángeles, Coro de Cámara del Real, Rafael Frühbeck de Burgos, Orquesta Nacional De España | D Major | 1 | 10B | 75 BPM | ||
| Francesca da Rimini, Act II: Per Dio, gente poltrona (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 75 BPM | ||
| Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | ||
| Puccini: Turandot, Act 1: "Fermo! che fai? T'arresta!" (Coro, Calaf, Pong, Pang, Ping) | Giacomo Puccini, Francesco Molinari-Pradelli, Franco Corelli, Franco Ricciardi, Guido Mazzini, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 0 | 3B | 109 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Paolo, datemi pace! | Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Wagner: Tannhäuser, WWV70: Wie Todesahnung – O du, mein holder Abendstern | Richard Wagner, Anthony Clark Evans, Rundfunk-Sinfonieorchester Berlin, Carlo Montanaro | D Major | 0 | 10B | 90 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM |