"The Nutcracker, Op. 71, Act II: XII. Scene, Clara and Nutcracker Prince" by Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic had its release date on January 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "The Nutcracker". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. The Nutcracker, Op. 71, Act II: XII. Scene, Clara and Nutcracker Prince is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71, Act II: XII. Scene, Clara and Nutcracker Prince by Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Nutcracker, Op. 71, Act I: VI. Scene, Dance of the Grandfathers (attacca) | Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic | G Major | 0 | 9B | 85 BPM | ||
| The Nutcracker, Op. 71: No. 12, Divertissement: Mother Gigogne | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 3 | 11B | 139 BPM | ||
| Silent Night | New York Symphony Orchestra And Chorale | F Major | 0 | 7B | 80 BPM | ||
| Fantasia on "Greensleeves" (What Child Is This?) | Traditional, Arthur Fiedler | C Minor | 0 | 5A | 84 BPM | ||
| Coventry Carol | Traditional, The Philadelphia Brass Ensemble | G Minor | 1 | 6A | 73 BPM | ||
| The Fat Old Lady With The Mini Sweets | Ann Rachlin | E Major | 5 | 12B | 126 BPM | ||
| Hark The Herald Angels Sing | New York Symphony Orchestra And Chorale | G Major | 1 | 9B | 99 BPM | ||
| The Kingdom Of Sweets | Narada Nutcracker Performers | E Major | 2 | 12B | 96 BPM | ||
| La bohème: Christmas Eve in Paris | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | F Major | 6 | 7B | 124 BPM | ||
| Cascanueces suite, Op. 71a: No. 6, Danza china | Orquesta Filarmonica de Alemania, Wilèm Oderich | F Major | 3 | 7B | 199 BPM | ||
| O Come, O Come, Emmanuel (Arr. A. Parker) | Anonymous, Atlanta Symphony Orchestra, Robert Shaw | E Minor | 0 | 9A | 90 BPM | ||
| Humperdinck: Hansel and Gretel: Overture | Engelbert Humperdinck, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 139 BPM | ||
| Glazunov: The Seasons, Op. 67, Pt. 1 "Winter": No. 4, Ice Variation | Alexander Glazunov, Philharmonia Orchestra, Yevgeny Svetlanov | C Major | 2 | 8B | 77 BPM | ||
| Away In A Manger - 1996 Digital Remaster | Luther, Martin Luther, Carmen Dragon, Hollywood Bowl Symphony Orchestra | F♯ Major | 1 | 2B | 83 BPM | ||
| Hallelujah Chorus | London Pops Orchestra, Nelson Corbin | D Major | 3 | 10B | 112 BPM | ||
| Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": Bacchanal | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F Major | 2 | 7B | 102 BPM | ||
| The Nutcracker, Op. 71, Act II: XIIa. Chocolate (Spanish Dance) | Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic | E♭ Major | 1 | 5B | 99 BPM | ||
| Oh Come Little Children | Lorie Line | G Major | 1 | 9B | 100 BPM | ||
| O Little Town Of Bethlehem | Gordon Langford & His Orchestra | F Major | 1 | 7B | 81 BPM | ||
| Go Tell It on the Mountain | The City of Prague Philharmonic Orchestra | C Major | 4 | 8B | 80 BPM | ||
| MOTHER CIGOGNE AND THE CLOWNS | Mariinsky Orchestra | A Major | 3 | 11B | 73 BPM | ||
| Løvenskiold: La Sylphide, Act 2: The Sylph Scene - Divertissement (Andante) | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 2 | 10B | 91 BPM | ||
| Waltz from Sleeping Beauty, Op. 66 | London Symphony Orchestra | B♭ Major | 2 | 6B | 65 BPM | ||
| A Carol Symphony: Scherzo: Allegro molto moderato | Victor Hely-Hutchinson, Prague City Philharmonic Orchestra, Gavin Sutherland | E Minor | 1 | 9A | 126 BPM | ||
| Pastores A Belen | Leroy Anderson | C Minor | 2 | 5A | 130 BPM |