- BPM
- 142
- Key
- C Minor
- Camelot
- 5A
Musical Offering, BWV 1079: Canon 4. a 2 per Augmentationem, contrario Motu by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana Song Details
"Musical Offering, BWV 1079: Canon 4. a 2 per Augmentationem, contrario Motu" by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana had its release date on April 15, 1998. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 19 in Bach, J.S.: Musical Offering, Bwv 1079 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Musical Offering, BWV 1079: Canon 4. a 2 per Augmentationem, contrario Motu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Musical Offering, BWV 1079: Canon 4. a 2 per Augmentationem, contrario Motu by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Music Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 19%
- Loudness
- -24.638 dB
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 4%
- Instrumentalness
- 66%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | String Quartet in A Major, Hob.III:36 (Op. 20 No. 6): 4. Fuga a 3 soggetti. Allegro | Joseph Haydn, The Angeles String Quartet | A Major | 1 | 11B | 126 BPM | |
 | Bach, CPE: Flute Sonata in G Minor: III. Allegro (Formerly Attributed to JS Bach as BWV 1020) | Carl Philipp Emanuel Bach, Aurèle Nicolet, Karl Richter | G Minor | 2 | 6A | 102 BPM | |
 | Es erhub sich ein Streit, BWV 19: Es erhub sich ein Streit (Chorus) | Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 5 | 1B | 104 BPM | |
 | Violin Concerto in G Minor (arr. for cello and strings): Grave | Jiří Antonín Benda, Christian Benda, Prague Chamber Orchestra | E Minor | 1 | 9A | 94 BPM | |
 | Le marechal ferrant, Overture, "Symphony No. 27 in G Major": I. Allegro | François-André-Danican Philidor, Prague Chamber Orchestra, Christian Benda | G Major | 2 | 9B | 111 BPM | |
 | Cello Sonata in C Minor, G. 2: I. Allegro | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | |
 | Cello Concerto No. 1 in G Major: I. Allegro con spirito | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | C Major | 1 | 8B | 74 BPM | |
 | Overture (Suite) No. 1 In C Major, BWV 1066: II. Courante | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | |
 | Six Fugues: VI. Fugue No. 6 in C Minor, HWV 610 | George Frideric Handel, Roberto Loreggian | B Minor | 4 | 10A | 149 BPM | |
| Overture (Suite) No. 1 In C Major, BWV 1066: III. Gavotte I And II | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | |
 | Herz und Mund und Tat und Leben, BWV 147: Aria. Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | B Major | 1 | 1B | 132 BPM | |
 | Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Prelude, Fugue And Allegro In E Flat Major, BWV 998 : Prelude, Fugue And Allegro In E Flat Major, BWV 998 | Janos Sebestyen, Johann Sebastian Bach | E♭ Major | 2 | 5B | 135 BPM | |
 | Toccate e partite d'intavolatura, Libro secondo: Toccata settima | Girolamo Frescobaldi, Franck Marcon | C Major | 1 | 8B | 175 BPM | |
 | Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | |
 | Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | |
 | Trio Sonata in E flat for 2 Violins and Continuo, Op. 1/7 , RV 65: 4. Giga (Presto) | Antonio Vivaldi, Salvatore Accardo, Franco Gulli, Rohan De Saram, Bruno Canino | A Major | 1 | 11B | 175 BPM | |
 | Handel: Concerto grosso in C Minor, Op. 6 No. 8, HWV 326: IV. Adagio | George Frideric Handel, Nikolaus Harnoncourt, Anita Mitterer, Concentus Musicus Wien | G Minor | 2 | 6A | 102 BPM | |
 | Concerto for Four Harpsichords, Strings and Continuo in A Minor, BWV 1065: III. Allegro | Johann Sebastian Bach, Pierre Gallon, Violaine Cochard, Davor Krkljus, Bertrand Cuiller, Le Caravansérail | A♭ Minor | 5 | 1A | 120 BPM | |
 | Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | |
 | Mass in B Minor, BWV 232, Gloria: No. 8, Domine Deus | Johann Sebastian Bach, Johannette Zomer, Christoph Prégardien, Collegium Vocale Gent, Philippe Herreweghe | F♯ Major | 2 | 2B | 135 BPM | |
| Cello Concerto No. 2 in A Major: III. Rondo. Allegretto | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | E Minor | 1 | 9A | 96 BPM | |
 | String Quartet No. 4 in C Major, K. 157: II. Andante | Eder Quartet | C Minor | 0 | 5A | 98 BPM | |
 | Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Sir Adrian Boult, London Philharmonic Orchestra, Gerald Jarvis, David Munrow, John Turner | C Minor | 4 | 5A | 85 BPM | |
 | Concerto Grosso In F Major, Op. 6, No. 6 : V. Allegro | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 1 | 7B | 152 BPM |
- ISRC
- HKI199629905
- Label
- L-M Records/RCA Records