"Toccate e partite d'intavolatura, Libro secondo: Toccata settima" by Girolamo Frescobaldi, Franck Marcon had its release date on October 17, 2025. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Virtuosissima cantatrice by Alice Duport-Percier, Franck Marcon. The song's track number on the album is #1 out of 9 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Toccate e partite d'intavolatura, Libro secondo: Toccata settima is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Toccate e partite d'intavolatura, Libro secondo: Toccata settima by Girolamo Frescobaldi, Franck Marcon has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Toccate e partite d'intavolatura, Libro secondo: Toccata settima being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Widor : Organ Symphony No.6 in C minor Op.42 No.2 : II Adagio | Charles-Marie Widor, Marie-Claire Alain | B Major | 0 | 1B | 132 BPM | ||
| Pachelbel: Toccata in C Minor, T. 236 | Johann Pachelbel, Werner Jacob | G Major | 1 | 9B | 68 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Haydn: Flute Concerto in D Major, Hob. VIIf:D1: I. Allegro moderato (Also Attributed to Hofmann) | Joseph Haydn, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter | B Major | 3 | 1B | 78 BPM | ||
| Preludio. Affettuoso | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | F♯ Minor | 4 | 11A | 132 BPM | ||
| Couperin, L: Suite en si: II. Allemande, G. 115 | Louis Couperin, Jean Rondeau | A Minor | 3 | 8A | 58 BPM | ||
| I. Auf Christenheit! begeh ein Freudenfest | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 182 BPM | ||
| III. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger | A♭ Minor | 1 | 1A | 113 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| Giacomo Antonio Perti: Sonata For 4 Trumpets | Giacomo Antonio Perti, Helmut Wobisch, Antonio Janigro, I Solisti di Zagreb | D Major | 3 | 10B | 113 BPM | ||
| Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
| Terza a 2, Canto e Basso | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 179 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Couperin, L: Suite en la: I. Prélude à l'imitation de Froberger, G. 6 | Louis Couperin, Jean Rondeau | C Minor | 2 | 5A | 138 BPM | ||
| II. Concerto: Grave – Allegro – Intrada – Largo – Vivace | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 3 | 3B | 61 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
| Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
| Suite Española: III. Seguidillas | Timothy Brown, Elaine Funaro | A Minor | 4 | 8A | 146 BPM | ||
| Messa della Madonna: Recercar dopo il Credo | Girolamo Frescobaldi, San Petronio Cappella Musicale Soloists, Sergio Vartolo, Alberto Turco | A♭ Minor | 1 | 1A | 72 BPM | ||
| Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 107 BPM |