Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens's 'II. Concerto: Grave – Allegro – Intrada – Largo – Vivace' had a release date set for December 19, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Georg Philipp Telemann, Hanna Herfurtner, Elena Harsányi, Elvira Bill, Georg Poplutz, Thomas Bonni, Achim Hoffmann, Kölner Akademie, Michael Alexander Willens's "Georg Philipp Telemann: Auf Christenheit! - Frankfurter Festmusiken 1716" album is number 18 out of 60. On top of that, Germany appears to be the country where this track was created. II. Concerto: Grave – Allegro – Intrada – Largo – Vivace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Concerto: Grave – Allegro – Intrada – Largo – Vivace by Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Symphony in D Major, H. 651, Wq. 176: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
| Goldberg Variations, BWV 988 (Arr. for Ensemble by Robin Pharo and Jean Rondeau): Var. VI. Canone alla Seconda. a 1 Clav. | Johann Sebastian Bach, Nevermind | F♯ Major | 1 | 2B | 129 BPM | ||
| Couperin, L: Suite en ré: II. Allemande, G. 35 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: IV. Menuet en Rondeau | Georg Philipp Telemann, Albrecht Mayer, Viola Orlovsky, Berliner Barock Solisten, Rainer Kussmaul | C Major | 4 | 8B | 119 BPM | ||
| Welcome Every Guest: I. Symphony | John Blow, Vincent Dumestre, Le Poème Harmonique | D♭ Major | 2 | 3B | 85 BPM | ||
| I. Auf Christenheit! begeh ein Freudenfest | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 182 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: III. Espagniol | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 0 | 8B | 84 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Missa Circumcisionis, ZWV 11: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E Major | 3 | 12B | 105 BPM | ||
| Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Justin Taylor, Insula orchestra, Laurence Equilbey | A♭ Major | 0 | 4B | 67 BPM | ||
| Sonata No. 1 in F Major: I. Largo | Benedetto Marcello, Roberto Loreggian, Francesco Galligioni, Rolando Moro | F Major | 0 | 7B | 143 BPM | ||
| Violin Sonata No. 6 in G Major, BWV 1019a: III. Cantabile ma un poco adagio | Johann Sebastian Bach, Ilya Gringolts, Francesco Corti | F♯ Major | 2 | 2B | 89 BPM | ||
| Couperin, L: Suite en si: II. Allemande, G. 115 | Louis Couperin, Jean Rondeau | A Minor | 3 | 8A | 58 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Preludio. Affettuoso | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | F♯ Minor | 4 | 11A | 132 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Concerto for Two Horns in F Major, RV 538: I. Allegro | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Alexandre Zanetta, Félix Polet | E Major | 3 | 12B | 105 BPM | ||
| Jonas: No. 21, Peccavimus, Domine (Ninivitae) - Live | Giacomo Carissimi, Bavarian Radio Chorus, Giovanni Antonini, Il Giardino Armonico | G Minor | 2 | 6A | 116 BPM | ||
| Sonata in A Minor, Op. 34 No. 6 (Arr. for Oboe Band by La Petite Écurie): I. Adagio | Joseph Bodin de Boismortier, La Petite Écurie | D♭ Major | 1 | 3B | 107 BPM | ||
| Violin Sonata in A Major, GT 2.A04: IV. Minuetto | Giuseppe Tartini, The Locatelli Trio | D♭ Minor | 1 | 12A | 70 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Concerto grosso in F Major Op. 6, No. 6: III. Largo | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM |