The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan Song Details

"The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One" by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1986. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Stravinsky: Le Sacre du Printemps; Apollo". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -24.661 dB
Acousticness: 73%
Danceability: 13%
Energy: 8%
Instrumentalness: 75%
Liveness: 42%
Loudness: 59%
Speechiness: 3%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 1 in C Minor, Op 33: I. Allegro	Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra	G Major	2	9B	79 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Also sprach Zarathustra, Op. 30: V. Das Grablied	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Minor	6	5A	103 BPM
The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	C Minor	6	5A	103 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Finlandia, Op. 26	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	3	4B	67 BPM
Violin Concerto, Op. 36: I. Poco Allegro	Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	A Minor	2	8A	82 BPM
4 Ragtime Dances: No. 4, —	Charles Ives, Orchestra New England, James Sinclair	B♭ Major	4	6B	93 BPM
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano)	Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb	G Minor	0	6A	140 BPM
Symphony No. 1 in D Minor, Op. 13: III. Larghetto	Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev	C Minor	0	5A	69 BPM
Copland: Symphony No. 3: I. Molto moderato, with simple expression	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	A Major	1	11B	82 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	D♭ Major	0	3B	80 BPM
Gayane Suite No. 3: I. The Hunt - Andante	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	D Major	2	10B	92 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
String Quartet No. 8 in C Minor, Op. 110: I. Largo	Dmitri Shostakovich, Borodin Quartet	C Minor	1	5A	114 BPM
Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato	Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn	G Minor	1	6A	65 BPM
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	E Minor	1	9A	96 BPM
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…"	Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner	B♭ Minor	1	3A	172 BPM
Eine Alpensinfonie: IX. Ausklang	Richard Strauss, Bernard Haitink, London Symphony Orchestra	E♭ Major	0	5B	72 BPM
The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	C Minor	6	5A	103 BPM
Eine Alpensinfonie, Op. 64, TrV 233: XXII. Nacht (II)	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	B Major	0	1B	90 BPM
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight	Benjamin Britten, André Previn, London Symphony Orchestra	G Minor	1	6A	117 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Violin Concerto, Op. 36: III. Finale. Allegro	Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	D♭ Major	2	3B	124 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM