Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli Song Details

"Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli had its release date on 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Elgar: Cello Concerto by Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, Dame Janet Baker, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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Popularity: 50%
Loudness: -22.849 dB
Acousticness: 95%
Danceability: 12%
Energy: 10%
Instrumentalness: 22%
Liveness: 11%
Loudness: 62%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio	Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra	F Major	1	7B	100 BPM
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio	Anton Arensky, The Rembrandt Trio	G Minor	0	6A	76 BPM
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner	B♭ Major	1	6B	75 BPM
Piano Concerto No. 2 Op. 102 in F Major: II. Andante	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Minor	0	5A	78 BPM
Elgar: Introduction and Allegro, Op. 47: I. Moderato	Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London	G Major	6	9B	100 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Liebestraum No. 3 in A-Flat Major, S. 541 / 3	Franz Liszt, Lang Lang	A♭ Major	0	4B	137 BPM
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34	Felix Mendelssohn, Jacqueline du Pré, Gerald Moore	D Major	0	10B	93 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846	Daniel Barenboim	C Major	0	8B	95 BPM
Il bell'Antonio, Tema III	Giovanni Sollima, Yo-Yo Ma, Kathryn Stott	C Minor	1	5A	88 BPM
Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights	Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit	A Minor	1	8A	95 BPM
Tristan und Isolde, WWV 90: Prelude To Act I	Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons	A Minor	1	8A	79 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Valse triste, Op. 44 No. 1	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	78 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
1st Movement: Adaggio / Allegro Molto	London Philharmonic Orchestra	E Minor	1	9A	116 BPM
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141/3)	Franz Liszt, Lang Lang	A♭ Minor	3	1A	88 BPM
Symphony No. 2: III. Adagio	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	A Major	0	11B	70 BPM
Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo	Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra	G Major	1	9B	106 BPM
Scarborough Fair (Arr. Parkin for Cello and Guitar)	Traditional, Sheku Kanneh-Mason, Plínio Fernandes	D Major	0	10B	117 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
3 Pieces in Old Style: No. 1, Aria	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Major	0	6B	75 BPM