"Stalked" by Macro/micro had its release date on October 28, 2016. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Stalked's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Macro/micro's "Metempsychosis" album is number 1 out of 4. Stalked is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stalked by Macro/micro to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| cinder | Emptyset | D♭ Minor | 8 | 12A | 151 BPM | ||
| Slow Yamaha - Short Version | Nathan Fake | A Minor | 7 | 8A | 102 BPM | ||
| Collateral Damage - Instrumental | Deaf Squad | B Major | 6 | 1B | 118 BPM | ||
| Very Good Vibes | Nate The Man | C Major | 3 | 8B | 97 BPM | ||
| I hear something | Darzack | E♭ Major | 1 | 5B | 70 BPM | ||
| Lighthouse | Aderal | F♯ Minor | 9 | 11A | 137 BPM | ||
| grabba | Jinete Sufrido | E Major | 8 | 12B | 89 BPM | ||
| Ww | Leeeroy, IRAE | B♭ Minor | 9 | 3A | 133 BPM | ||
| Diamond Spitter | Reid Willis | D Major | 3 | 10B | 75 BPM | ||
| Finally | Processor | D♭ Major | 7 | 3B | 123 BPM | ||
| RAZORS | Maelstrom, Louisahhh | F♯ Minor | 9 | 11A | 140 BPM | ||
| Ash Rounds (Vulture) | KAVARI | D♭ Minor | 9 | 12A | 165 BPM | ||
| Substance | Assalm | F♯ Minor | 5 | 11A | 105 BPM | ||
| PNK - Akusmi Rework | Daniel Brandt, Akusmi | F♯ Minor | 6 | 11A | 137 BPM | ||
| Fragmented - Mixed | Oora | A Minor | 2 | 8A | 129 BPM | ||
| Brutal Absurdism | Ansia Primordiale | E Major | 9 | 12B | 186 BPM | ||
| flame | Emptyset | B♭ Minor | 3 | 3A | 116 BPM | ||
| Dimension | BE/HOLD | E Major | 8 | 12B | 89 BPM | ||
| Pursuit of the Enchanter | MAT1.5K | B♭ Minor | 10 | 3A | 128 BPM | ||
| Stalked | Macro/micro | A Major | 0 | 11B | 83 BPM | ||
| Pocari | Patche | C Major | 9 | 8B | 142 BPM | ||
| Gate 3 | Emptyset | G Major | 7 | 9B | 111 BPM | ||
| Kiss The Whip | Samuel Kerridge | B Minor | 8 | 10A | 110 BPM | ||
| THE ABYSS (Sakr Re/mi.’x) | AM sin, Sakr | B♭ Minor | 6 | 3A | 100 BPM | ||
| Aleatoriality | Macro/micro, Omega | D Major | 5 | 10B | 115 BPM |