Rajendra Vaishampayan's ' "Adhay 12 Shlok 01 To Shlok 10" was released on its scheduled release date, February 3, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 78 in the song's album "Sampurn Dnyaneshwari Parayan". In this album, this song's track order is #39. Furthermore, we believe that the track originated from India. Adhay 12 Shlok 01 To Shlok 10 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Adhay 12 Shlok 01 To Shlok 10 by Rajendra Vaishampayan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gurucharitra - Adhyay - 18 | Vedachary Trilochanshastri Kale | E Major | 1 | 12B | 110 BPM | ||
| Ganpati Sankat Nashan Stotra | Pradeep Bhinde | D Major | 3 | 10B | 85 BPM | ||
| Shiv Kelash Ke Wasi | Indresh Upadhyay | D Major | 2 | 10B | 180 BPM | ||
| Shri Devi Stuti | Ashit Desai, Bhakti Choir | D Major | 1 | 10B | 94 BPM | ||
| Konastha Pinglo Brabhu Krishno rodrantako yamh(Shaniji Ke Das Naam) | Prem Prakash Dubey | A Major | 5 | 11B | 83 BPM | ||
| Bhagavad Gita Adhyay, Pt. 6 | Shrirang Bhave | E♭ Major | 1 | 5B | 71 BPM | ||
| Bhagavad Gita, Pt. 5 - Karma Sanyasa Yoga | Pt. Ved Prakash Phondani | A♭ Major | 3 | 4B | 76 BPM | ||
| Saraswati Stotram | Vallari Ambekar, Inner Splendor, Vedika Godbole | B Major | 3 | 1B | 151 BPM | ||
| Utha Utha Sakaljana | Anjali Jain | B♭ Major | 2 | 6B | 110 BPM | ||
| Sri Durga Sooktam | Vishwanath H. V., Vanishree, Vijaya Lakshmi | G Major | 4 | 9B | 87 BPM | ||
| Srisuktam | Govindarajan, Malola Kannan | D♭ Major | 6 | 3B | 133 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Mantraraja pada Stotram | Daasoham | C Minor | 6 | 5A | 116 BPM | ||
| Suryanarayana Suprabhatam | Sridevi | F Minor | 8 | 4A | 175 BPM | ||
| Kateelu Durga | P. B. Sreenivas, S. Janaki, Bangalore Sisters | B Major | 3 | 1B | 116 BPM | ||
| Shadows | Rajendra Vaishampayan | C Major | 6 | 8B | 90 BPM | ||
| Ganesh Atharvashirsha | Chanting India, Parul Mishra | G Major | 2 | 9B | 136 BPM | ||
| Shivopasana Mantra Nidhana Pataye Namaha | Sri Sathya Sai Official | A♭ Major | 6 | 4B | 101 BPM | ||
| Datta Tuhi Vidhi | Sri Ganapathy Sachchidananda Swamiji | C Major | 6 | 8B | 123 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Vasavi | Bangalore Sisters | A Minor | 7 | 8A | 84 BPM | ||
| Narayanasuktam | Govindarajan, Malola Kannan | D♭ Major | 3 | 3B | 159 BPM | ||
| Runa Vimochana Narasimha Stotram | Shankara Sastry | D Minor | 2 | 7A | 109 BPM |