"Melody, Op. 21, No. 9" by Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin had its release date on March 26, 2021. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Melody, Op. 21, No. 9's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Reflections". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Melody, Op. 21, No. 9 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Melody, Op. 21, No. 9 by Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vaughan Williams: 6 Studies in English Folk-Song: No. 2, Andante sostenuto | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| 6 Klavierstücke, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Jean-Yves Thibaudet | A Major | 1 | 11B | 94 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Rêverie, L. 68 | Claude Debussy, Luigi Puxeddu, Jolanda Violante | F♯ Major | 8 | 2B | 178 BPM | ||
| 3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Harp & Cello) | Maurice Ravel, Ellen Bødtker, Bjorg Vaernes | E Minor | 2 | 9A | 92 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| Aria Variation (From Goldberg Variations, BWV 988, Arr. for Piano by Svetoslav Karparov) | Johann Sebastian Bach, Gabriele Bagnati | G Major | 0 | 9B | 202 BPM | ||
| Dvorak / Transc. Hadelich: 7 Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me | Antonín Dvořák, Augustin Hadelich, Charles Owen | B Minor | 1 | 10A | 107 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | E Minor | 1 | 9A | 75 BPM | ||
| A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | ||
| Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
| Liszt: Wiegenlied, S. 198 | Franz Liszt, Bertrand Chamayou | A Minor | 0 | 8A | 62 BPM | ||
| Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
| Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
| There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM | ||
| Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Liszt: Liebesträume, S. 541: No. 1 in A-Flat Major, Hohe Liebe | Franz Liszt, Mariam Batsashvili | A♭ Major | 0 | 4B | 74 BPM | ||
| 8 Pieces, Op. 83: II. Allegro con moto | Max Bruch, Philon Trio | A Major | 2 | 11B | 75 BPM | ||
| Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM |