Charlie Mole's ' "Mallorca Time" was released on its scheduled release date, February 28, 2020. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Mallorca Files (Music from Series One of the Television Series)". In this album, this song's track order is #5. In terms of popularity, Mallorca Time is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Mallorca Time by Charlie Mole having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Throne Room of the King of Dreams | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Never Going Back | Ari Posner, Amin Bhatia | F Minor | 2 | 4A | 95 BPM | ||
| Bedtime Stories | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 92 BPM | ||
| Front Titles | Charlie Mole | G Major | 4 | 9B | 120 BPM | ||
| Chasse et mort de la princesse | Pierre Adenot | D♭ Major | 1 | 3B | 134 BPM | ||
| The Arrival | Charlie Mole | D Minor | 2 | 7A | 101 BPM | ||
| Mary Meets Percy | Amelia Warner | C Major | 1 | 8B | 60 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| To Every Captive Soul | Hans Zimmer, The Lyndhurst Orchestra, Gavin Greenaway | C Major | 2 | 8B | 83 BPM | ||
| Green Shoots | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 54 BPM | ||
| Love Eternal | Wojciech Kilar | B Minor | 0 | 10A | 87 BPM | ||
| Arrival Vienna | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 72 BPM | ||
| Enoch's Dolls | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 139 BPM | ||
| Acropolis | Cho Young-Wuk | B♭ Minor | 2 | 3A | 114 BPM | ||
| Long, Long Time Ago | Javier Navarrete | A Minor | 1 | 8A | 80 BPM | ||
| The Dealer | Charlie Mole | C Major | 2 | 8B | 166 BPM | ||
| Sufficiently Breathless | The Newton Brothers | A Minor | 2 | 8A | 89 BPM | ||
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| Unsolved Mysteries | PhilMScores | B♭ Major | 1 | 6B | 77 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Apology Tango | Adam Balazs | C Major | 0 | 8B | 99 BPM | ||
| Theme from "Agatha Christie's Marple" | Dominik Scherrer | F♯ Minor | 3 | 11A | 140 BPM | ||
| Remembering Sybil | Charlie Mole | C Minor | 3 | 5A | 81 BPM | ||
| Who's To Blame | Rael Jones | D Major | 3 | 10B | 120 BPM |