"Remembering Sybil" by Charlie Mole had its release date on 2012. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 19 in Dorian Gray (Original Score Soundtrack) by Charlie Mole. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Remembering Sybil is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Remembering Sybil by Charlie Mole is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lake - Cincinnati | Carlos Rafael Rivera | D Major | 3 | 10B | 81 BPM | ||
| Overture | Daniel Hart | C Minor | 5 | 5A | 150 BPM | ||
| I take off my hat | Sami Hoxhaj, Saemyhoca | F Minor | 4 | 4A | 137 BPM | ||
| Pursuing Battle | Anne Nikitin | F Minor | 4 | 4A | 137 BPM | ||
| The Attic Room | Marco Beltrami | B♭ Major | 2 | 6B | 134 BPM | ||
| Amadeo | Daniel Hart, Eleanor Tinlin | F Minor | 3 | 4A | 66 BPM | ||
| Greenshaw's Folly - Thou Art Thy Mother's Glass | Dominik Scherrer | A Minor | 0 | 8A | 168 BPM | ||
| Outsides Match My Insides | Gabriel Yared | A♭ Major | 0 | 4B | 71 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Quella linea sottile | Paolo Buonvino | F Minor | 4 | 4A | 137 BPM | ||
| The Gravel Road - Score | James Newton Howard | G Minor | 1 | 6A | 86 BPM | ||
| And We Walk After | Trevor Kowalski | E♭ Major | 1 | 5B | 138 BPM | ||
| Shades and Shadows | Peter Gundry | F♯ Minor | 2 | 11A | 114 BPM | ||
| Bach Goldberg Variation Aria Pt. 1 | Brian Reitzell | G Major | 0 | 9B | 63 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Paris | Philippe Rombi | F Minor | 0 | 4A | 62 BPM | ||
| Six Hours | Abel Korzeniowski | A Minor | 2 | 8A | 62 BPM | ||
| To Every Captive Soul | Hans Zimmer, The Lyndhurst Orchestra, Gavin Greenaway | C Major | 2 | 8B | 83 BPM | ||
| The Last Dance | Peter Gundry | B♭ Minor | 2 | 3A | 150 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| The Sun Gives Life to Everything But Us | Shruti Kumar, Daniel Hart | D Major | 2 | 10B | 70 BPM | ||
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| The Tail | Charlie Mole | B♭ Minor | 4 | 3A | 202 BPM | ||
| Magnificent, Isn't It (From "A Cure For Wellness" Soundtrack) | Benjamin Wallfisch | E Minor | 1 | 9A | 71 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM |