Johann Sebastian Bach, Jeremy Denk's 'Variation 27: Canon on the ninth' had a release date set for September 30, 2013. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Jeremy Denk's "J.S. Bach: Goldberg Variations (Audio Only Version)" album is number 28 out of 32. On top of that, United States appears to be the country where this track was created. Variation 27: Canon on the ninth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variation 27: Canon on the ninth by Johann Sebastian Bach, Jeremy Denk to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goldberg Variations, BWV 988: Var. 7 - 1981 Version | Johann Sebastian Bach, Glenn Gould | G Major | 6 | 9B | 85 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens | D Minor | 2 | 7A | 86 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
| Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 4 | 10B | 113 BPM | ||
| Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| Paganini: Centone di sonate, Op. 64, Lettera A, Sonata No. 2 in D Major: I. Adagio cantabile | Niccolò Paganini, Gyorgy Terebesi, Sonja Prunnbauer | A Major | 1 | 11B | 112 BPM | ||
| Sonata No. 5 in A Major, Op. 17, No. 5: II. Presto | Johann Christian Bach, Daniil Trifonov | A Major | 2 | 11B | 67 BPM | ||
| Ein feste Burg ist unser Gott, BWV 80: Aria and Chorale. Alles, was von Gott geboren (Bass, Soprano) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | D Major | 3 | 10B | 171 BPM | ||
| Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Dina Ugorskaja | D Minor | 0 | 7A | 112 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : I. Ouverture | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Márta Kurtág, György Kurtág | F Major | 3 | 7B | 102 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
| Violin Concerto in E Major, Bwv 1042: II. Adagio | Arthur Grumiaux, Johann Sebastian Bach, Zurich Chamber Orchestra, Edmond De Stoutz | D♭ Minor | 1 | 12A | 79 BPM | ||
| Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma, Kathryn Stott | D Minor | 1 | 7A | 103 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (Arr. I. Friedman) | Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 77 BPM | ||
| The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 72 BPM | ||
| Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM |