Goldberg Variations, BWV 988: Var. 7 - 1981 Version by Johann Sebastian Bach, Glenn Gould Song Details

On 1962, the song "Goldberg Variations, BWV 988: Var. 7 - 1981 Version" was released by Johann Sebastian Bach, Glenn Gould. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 120 in the song's album "The Complete Bach Collection Vol. 3 / Glenn Gould". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Goldberg Variations, BWV 988: Var. 7 - 1981 Version is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Goldberg Variations, BWV 988: Var. 7 - 1981 Version by Johann Sebastian Bach, Glenn Gould having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -7.839 dB
Acousticness: 2%
Danceability: 50%
Energy: 59%
Instrumentalness: 0%
Liveness: 14%
Loudness: 87%
Speechiness: 13%
Valence: 89%

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