Symphony No. 5, Op. 64: IVe. Missa brevis. Agnus Dei by Ruth Gipps, BBC Philharmonic, Rumon Gamba Song Details

"Symphony No. 5, Op. 64: IVe. Missa brevis. Agnus Dei" by Ruth Gipps, BBC Philharmonic, Rumon Gamba had its release date on April 11, 2025. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruth Gipps, Charlie Lovell-Jones, Bill Anderson, BBC Philharmonic, Rumon Gamba's "Gipps: Orchestral Works, Vol. 4" album is number 12 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 5, Op. 64: IVe. Missa brevis. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Symphony No. 5, Op. 64: IVe. Missa brevis. Agnus Dei by Ruth Gipps, BBC Philharmonic, Rumon Gamba to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.502 dB
Acousticness: 90%
Danceability: 19%
Energy: 12%
Instrumentalness: 93%
Liveness: 12%
Loudness: 67%
Speechiness: 4%
Valence: 3%

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