Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra's ' "Farewell to Stromness" was released on its scheduled release date, May 24, 2024. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Farewell to Stromness and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Farewell to Stromness is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Farewell to Stromness by Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Your Words | Hollers Gang | D♭ Minor | 2 | 12A | 86 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
| Farewell | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | B♭ Minor | 2 | 3A | 111 BPM | ||
| Farewell to Stromness (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Peter Maxwell Davies, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | D Major | 1 | 10B | 82 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Air on the G String (Bwv 1068) | Simone Dinnerstein, Baroklyn | D Major | 2 | 10B | 65 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| The Blue Mountains | Sally Greenaway, Graham Ross, Royal College of Music Symphony Orchestra | A Minor | 1 | 8A | 91 BPM | ||
| Song of the Birds | Pau Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 80 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | ||
| The Renaissance Suite: II. PAVANE in Burnt Orange | Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale | G Minor | 1 | 6A | 131 BPM | ||
| Stormpolskan (Arr. Danish String Quartet for String Quartet, Piano & Cittern) | Ale Carr, Danish String Quartet, Dreamers' Circus | G Minor | 2 | 6A | 126 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| La Romanesca | Adrien François Servais, Sol Gabetta, Cappella Gabetta | B Minor | 1 | 10A | 78 BPM | ||
| Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
| Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | ||
| Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
| Three Visions: II. Summerland | William Grant Still, Jeneba Kanneh-Mason | A♭ Minor | 2 | 1A | 112 BPM | ||
| 3 Postludien: Postludium No. 3 | Valentin Silvestrov, Matt Haimovitz, Nadia Shpachenko | D Major | 0 | 10B | 127 BPM | ||
| Symphony No. 3: II. Langsam, doch nich schleppend | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 63 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 74 BPM | ||
| Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64a: VI. Romeo and Juliet. Andante amoroso | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | C Major | 2 | 8B | 82 BPM |