Johannes Brahms, Sabrina-Vivian Höpcker, Fabio Bidini's ' "21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Performed in G Minor)" was released on its scheduled release date, November 16, 2018. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Performed in G Minor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 21 in Brahms: Hungarian Dances by Johannes Brahms, Sabrina-Vivian Höpcker, Fabio Bidini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Performed in G Minor)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Performed in G Minor) by Johannes Brahms, Sabrina-Vivian Höpcker, Fabio Bidini is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dr. Zhivago | Giovanni Marradi | G Major | 1 | 9B | 88 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| Irene's Song (from "Forsyte Saga") | Geoffrey Burgon, Dave Loew | E Minor | 2 | 9A | 160 BPM | ||
| Carmen Suite: Entr'acte 3 (Arr. by Jan Valta) | Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | C Minor | 4 | 5A | 123 BPM | ||
| Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano | D Major | 0 | 10B | 94 BPM | ||
| Piazzolla: Libertango (Arr. Milone for Trumpet and Orchestra) | Alison Balsom | A Minor | 3 | 8A | 150 BPM | ||
| Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, James Galway, London Mozart Players | F Major | 1 | 7B | 74 BPM | ||
| Brejeiro | Daniela Padrón, Olga López | E Major | 2 | 12B | 89 BPM | ||
| Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
| Salome, Op. 54, TrV 215, Scene 4: Salomes Tanz (Arr. for String Quartet by Eric Mouret) | Richard Strauss, Quatuor Zaïde | F Major | 1 | 7B | 72 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
| El Gato Montés, Pasodoble torero para Guitarra | Paola Hermosín | A Major | 4 | 11B | 114 BPM | ||
| Silbando | Aníbal Arias | A Minor | 2 | 8A | 121 BPM | ||
| Danza Tarantella | Bulent Yazici | C Major | 3 | 8B | 132 BPM | ||
| L'Abbandono | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Emperor Waltz | Johann Sebastian Strauss, London Festival Orchestra | C Major | 2 | 8B | 67 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Immer oder nimmer Walzer, Op. 156 | Émile Waldteufel, Mela Tenenbaum, Anton Nel | A Major | 1 | 11B | 131 BPM | ||
| Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| La Danza (Tarantella napoletana) (Arr. Liszt, S. 424/9) | Gioachino Rossini, Tristan Pfaff | F Major | 5 | 7B | 134 BPM | ||
| 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | D Minor | 1 | 7A | 91 BPM | ||
| Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Simon Mulligan, Nigel Hess | G Major | 1 | 9B | 105 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM |