On February 25, 1997, the song "Aaj Mandir Mein Sewak Karat Pukar" was released by Bechan Ram Rajbhar. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 1 out of 10 in Bhojpuri Pachra by Bechan Ram Rajbhar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aaj Mandir Mein Sewak Karat Pukar is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aaj Mandir Mein Sewak Karat Pukar by Bechan Ram Rajbhar is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saiya More Gawanwa Lihale Jala | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Ham Vechio Sir Gur Ke - Bhai Jagjit Singh Ji (Melbourne) | Kirtan Fi | E♭ Major | 7 | 5B | 116 BPM | ||
| Koyal Bin Bagiya Na Sobhe Raja | Jyoti Mahi | A♭ Major | 9 | 4B | 91 BPM | ||
| Choti Main Haniyon | Rajab Faqeer | E♭ Major | 6 | 5B | 120 BPM | ||
| Baba Mere Naal Naal | Sher Miandad Khan | F♯ Major | 5 | 2B | 87 BPM | ||
| Parvat Uper Kavlu O Mayi | Bechan Ram Rajbhar | B Major | 6 | 1B | 74 BPM | ||
| Raja Piy Jani Gaanja Ho Kharaab Ho Jaibai | Bharat Sharma Vyas | C Minor | 7 | 5A | 146 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| abhi Rangi Dhari Pichakari | Jaysingh raja, Doli Rajpoot | F♯ Minor | 10 | 11A | 134 BPM | ||
| Charo Taraf Dekha Part 5 | Swami Aadhar Chaitanya | A Major | 5 | 11B | 132 BPM | ||
| Mare Jodi Ra Bhartar | Kheta Khan | C Major | 8 | 8B | 108 BPM | ||
| Mast Qalandar | Lakhwinder Wadali | F Minor | 8 | 4A | 128 BPM | ||
| Sipahiya Raja Part 8 | Bechan Ram Rajbhar | F♯ Major | 7 | 2B | 82 BPM | ||
| 7 Baba De Vehre | Sher Miandad Khan | G Major | 9 | 9B | 156 BPM | ||
| Rang Debo Choliya Tohar | Vijay Lal Yadav | D♭ Major | 7 | 3B | 129 BPM | ||
| Piya Ri Vani Mat Bol | Sant Bhajana Nand | D♭ Major | 8 | 3B | 109 BPM | ||
| Dahej Deke Kinale Bani | Karina Pandey, Sovita Pandey, Hema Pandey | A♭ Major | 9 | 4B | 94 BPM | ||
| Se Simre Jin Aap Simrae Vaisakhi 2023, Malaysia | Bhai Tavneet Singh Ji Chandigarh Wale | F Major | 6 | 7B | 106 BPM | ||
| Sasurar Goriya Sasurar Goriya | Bharat Sharma Vyas | E♭ Major | 5 | 5B | 82 BPM | ||
| Jab Se Gawanwa Ke Dinva Dharail | Bharat Sharma Vyas | G Major | 7 | 9B | 80 BPM | ||
| Deewano Thare Naam Ro | Shyam Paliwal | F Minor | 7 | 4A | 102 BPM | ||
| Nibiya Ki Dariya Maiya Ke (Purvi) | Bechan Ram Rajbhar | F♯ Minor | 6 | 11A | 74 BPM | ||
| Keniya Se Lal Aavela Dariya | Bechan Ram Rajbhar | F♯ Major | 7 | 2B | 154 BPM | ||
| Gaji Silak Ki Saree Layde | Brijesh Shastri | D♭ Major | 6 | 3B | 97 BPM | ||
| Jhedar Lokgeet | Kheta Khan | D♭ Major | 7 | 3B | 120 BPM |