Anthony Holborne, Christopher Wilson's 'Last Will and Testament' had a release date set for March 19, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christopher Wilson's "Holborne / Robinson: Pavans and Galliards" album is number 24 out of 24. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Last Will and Testament is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Last Will and Testament by Anthony Holborne, Christopher Wilson to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia in G Major, P. 73, "Tremolo" | John Dowland, Nigel North | G Major | 1 | 9B | 133 BPM | ||
| La Vecchia Pavan | John Johnson, Lynda Sayce, Matthew Spring | B♭ Major | 0 | 6B | 80 BPM | ||
| Canto I, Fortuna innamorata: Recercata XII | Francesco da Milano, Xavier Diaz-Latorre | D Minor | 0 | 7A | 85 BPM | ||
| La verdelete | Capella de Ministrers, Carles Magraner | A Minor | 1 | 8A | 124 BPM | ||
| Courante: Corante | Robert Ballard, Joachim Held | A Major | 2 | 11B | 164 BPM | ||
| La Saché (feat. Gwen Tual Et Nathalie Le Gaouyat) | Louis de Caix d'Hervelois, Gwen Tual Et Nathalie Le Gaouyat | A♭ Minor | 2 | 1A | 79 BPM | ||
| Folía echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 121 BPM | ||
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 2, O virtus Sapientie (1) | Hildegard von Bingen, Augsburg Early Music Ensemble | F Minor | 0 | 4A | 131 BPM | ||
| Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
| Hermoza | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Dowland's Adieu for Master Oliver Cromwell, P. 13 | John Dowland, Ronn McFarlane, Carolyn Surrick | A Major | 1 | 11B | 80 BPM | ||
| Pastime with Good Company | Henry VIII, Frottola | B♭ Major | 0 | 6B | 128 BPM | ||
| Danseryes: Ronde Warum | Tylman Susato, Musica Antiqua, Christian Mendoze | D Minor | 3 | 7A | 115 BPM | ||
| Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
| Ricercar Ottavo | Giulio Segni Da Modena, Jacob Heringman | D Major | 0 | 10B | 120 BPM | ||
| Aubade | Richard de Semilli, La Camerata de Paris | C Major | 0 | 8B | 90 BPM | ||
| The Fidler's Contemt | Rory Dall O'Cathain, Baltimore Consort | F Major | 0 | 7B | 73 BPM | ||
| Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| Cleopatre Amante - Double | Denis Gaultier, Toyohiko Satoh | F Minor | 1 | 4A | 119 BPM | ||
| Biaute Paree De Valour | Ensemble Project Ars Nova | C Major | 0 | 8B | 128 BPM |