Bellerofonte Castaldi, Albane Imbs's ' "Lusinghevole Passeggio" was released on its scheduled release date, September 6, 2024. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Lusinghevole Passeggio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 28 in Capricci: Castaldi & Pellegrini by Albane Imbs, Rolf Lislevand. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Lusinghevole Passeggio is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Lusinghevole Passeggio by Bellerofonte Castaldi, Albane Imbs is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trattado de glosas: Quinta Pars | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| 18 Sonatas, Op. 2: No. 18, La Savorgniana | Giovanni Legrenzi, Accademia dell'Annunciata, Riccardo Doni | F♯ Major | 0 | 2B | 104 BPM | ||
| Recercadas del Trattado de Glosas: Recercada terçera para violone sola | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | C Major | 0 | 8B | 55 BPM | ||
| Suite in A Major: V. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Preambel No. 4, IHN 34 | Hans Neusidler, Stephan Hrushka | F Minor | 0 | 4A | 168 BPM | ||
| Suite for 2 Violins in D Major, TWV 40:108 "Gulliver's Travels": III. Brobdingnagische Gigue | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | A♭ Major | 0 | 4B | 80 BPM | ||
| Gaultier le Vieux: Suite en ré mineur: II. Tombeau de Mézangeau (Transcr. Rondeau pour clavecin) | Ennemond Gaultier, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Almaine (no.1) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | G Major | 0 | 9B | 94 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | F♯ Major | 1 | 2B | 134 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Capriccio detto svegliatoio | Bellerofonte Castaldi, Bellerefonte Castaldi, Las Destrozzi, Laura Fainstein Sestopal, Natacha Cabezas | A♭ Minor | 4 | 1A | 177 BPM | ||
| Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Quagliotta Canzone | Bellerofonte Castaldi, Ludovico's Band | A♭ Minor | 1 | 1A | 98 BPM | ||
| Pavana de Alexandre (Gallárda) | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 126 BPM | ||
| Sarabande grave | Antonio Bertali, Bernhard Hofstötter | F♯ Minor | 1 | 11A | 77 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Suite in G Minor, BWV 995: V. Gavotte I - Gavotte II en Rondeaux | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
| Pièces de caractère pour la vielle: La Dupuits, sarabande | Jean-Baptiste Dupuits, Les Kapsber'girls | A Minor | 1 | 8A | 78 BPM | ||
| Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
| Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 84 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM |