Hossein Inanloo's 'Bayat Esfahan III' had a release date set for January 27, 2012. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Roam (Parseh) - Persian Classical Music". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Iran. Based on our statistics, Bayat Esfahan III's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bayat Esfahan III by Hossein Inanloo having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| رجامندم پس از مرگم سر خاکم بيايی | Abdurrahim Chah Abe | E♭ Minor | 7 | 2A | 107 BPM | ||
| DOOSH | Shahram Nazeri, Madakto Ensemble | F Minor | 3 | 4A | 115 BPM | ||
| Karwana | Hesen Zîrek | F Major | 2 | 7B | 106 BPM | ||
| Nihavend Semai | Ehsan Zabihifar, Mahtab Ensemble, Hamid Ghanbari, Ehsan Emami, Solmaz Badri, Sajjad Saghaei | D Minor | 4 | 7A | 137 BPM | ||
| Tasnif Mahour (Morghe Sahar) - Live | Mohammad Reza Lotfi, Mohammad-Reza Shajarian, Majid Khalaj | C Major | 2 | 8B | 78 BPM | ||
| محلی | Sharafat Parwani, Hangama | A♭ Minor | 6 | 1A | 174 BPM | ||
| Zikir | Sedat Anar | E Major | 6 | 12B | 105 BPM | ||
| Zarbi-e Hejaz | M.R.Lotfi, Mohammad-Reza Shajarian | E Major | 3 | 12B | 107 BPM | ||
| Hend Namaya | Erdewan Zaxoyi | G Major | 5 | 9B | 119 BPM | ||
| Kamancheh Narration | Hesam Inanlou | D♭ Major | 3 | 3B | 98 BPM | ||
| Bayat Esfahan VIII | Hossein Inanloo | E Major | 4 | 12B | 136 BPM | ||
| Golabatoon | Milad Bagheri | C Minor | 3 | 5A | 137 BPM | ||
| Trio Setar Tonbak Barbat | Hesameddin Seraj, Jalil Shahnaz | F Major | 5 | 7B | 108 BPM | ||
| Avaz-e-Sholeil | Masoud Bakhtiyari, Ata Jangoog | F♯ Minor | 5 | 11A | 114 BPM | ||
| Sorrow and Joy | Farhang Sharif, Homayoun Khoram | F Minor | 1 | 4A | 127 BPM | ||
| Warway | Ali Doğan Gönültaş | E♭ Major | 1 | 5B | 89 BPM | ||
| Amoo Nowruz | Tahmoures Pournazeri, Shahram Nazeri | A Minor | 5 | 8A | 99 BPM | ||
| Soltane Eshgh | Hesameddin Seraj, Arqanoon Ensemble | C Minor | 0 | 5A | 111 BPM | ||
| Biya Ke Borem Ba Mazar | Qais Essar, Ali Reza Jahad | C Major | 6 | 8B | 140 BPM | ||
| Hejaz | Aria Mohafez | D♭ Minor | 3 | 12A | 157 BPM | ||
| Tasnif Sarv -e- Boland | Iraj Bastami, Parviz Meshkatian | A♭ Major | 2 | 4B | 103 BPM | ||
| Ashk-e-Pardeh dar | Seyed Khalil Alinejad, Ramin Kakavand | C Minor | 4 | 5A | 153 BPM | ||
| Iranian Tar 109 (Tabriz Bazar) | Ali Ghamsari | B Major | 6 | 1B | 102 BPM | ||
| Rumi, Act II: Meeting of Shams and Rumi | Behzad Abdi, Homayoun Shajarian, Mohammad Motamedi, Ukraine National Symphony Orchestra, Vladimir Sirenko | D Major | 2 | 10B | 77 BPM | ||
| اخی اخی خمارم دلبر افغانم | Najeeb Keshmi | D Minor | 6 | 7A | 121 BPM |