"He's Out There" by Paul Leonard-Morgan had its release date on March 17, 2023. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 42 in Boston Strangler (Original Score) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. He's Out There is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of He's Out There by Paul Leonard-Morgan is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jin Jié's Dream | Johan Skugge, Jukka Rintamäki | C Major | 0 | 8B | 112 BPM | ||
| 1.0_3-fucksociety.mp3 | Mac Quayle | D♭ Major | 4 | 3B | 112 BPM | ||
| Incubation | Jed Kurzel | G Minor | 1 | 6A | 98 BPM | ||
| Dr. Fletcher and the World | West Dylan Thordson | B♭ Major | 1 | 6B | 75 BPM | ||
| Highways | Ludvig Forssell | F Minor | 4 | 4A | 136 BPM | ||
| Happy Pills | Paul Leonard-Morgan | G Major | 7 | 9B | 105 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| THE ALGORITHM | Ludwig Göransson | F Minor | 6 | 4A | 100 BPM | ||
| Aftermath | Jed Palmer | D Major | 1 | 10B | 70 BPM | ||
| Unsee | Atli Örvarsson | A♭ Major | 4 | 4B | 80 BPM | ||
| Rifleman Cooper | Stephen Barton | A Minor | 6 | 8A | 118 BPM | ||
| Modern Warfare II | Sarah Schachner | F Major | 5 | 7B | 155 BPM | ||
| We Can't Let Them Win | Jed Palmer | E Major | 2 | 12B | 79 BPM | ||
| BCR | Dominic Lewis | A Major | 3 | 11B | 144 BPM | ||
| Evacuation | Hildur Guðnadóttir | E♭ Minor | 2 | 2A | 77 BPM | ||
| Safe Return | Rob Simonsen | E♭ Minor | 3 | 2A | 77 BPM | ||
| Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM | ||
| Debris | Steven Price | A Major | 4 | 11B | 132 BPM | ||
| You Have No Idea | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| The Look Back | Jack Bartman | D Minor | 2 | 7A | 119 BPM | ||
| Ripples in the Sand | Hans Zimmer | G Major | 2 | 9B | 84 BPM | ||
| Descent - from "Warhammer 40,000: And They Shall Know No Fear" | Rob Cairns | D Major | 3 | 10B | 60 BPM | ||
| Just Another Weapon | P.T. Adamczyk | A Minor | 1 | 8A | 120 BPM | ||
| Two Concurrent States (Plainsong, Pt. 2) | Ben Salisbury | G Minor | 1 | 6A | 66 BPM | ||
| Waiting to Die | Danny Elfman | B Major | 5 | 1B | 52 BPM |