Catherine Leroux, Karie Richards's 'Chapter 61 - The Future' had a release date set for January 16, 2024. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #61. Furthermore, we believe that the track originated from Germany. Based on our statistics, Chapter 61 - The Future's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 61 - The Future by Catherine Leroux, Karie Richards having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Chapter 155 - The Future | Catherine Leroux, Karie Richards | B♭ Minor | 1 | 3A | 84 BPM | ||
| Le triomphe de Bacchus, L. 38, CD 33: I. Divertissement. Allegro (Version for Piano 4 Hands) | Claude Debussy, Genova and Dimitrov Piano Duo | D♭ Major | 2 | 3B | 180 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Koojo No Tsuki | Rentaro Taki, Marc Grauwels | A Minor | 0 | 8A | 67 BPM | ||
| After You, Mr. Gershwin ! | Bela Kovacs, André Moisan, Jean Saulnier | E♭ Major | 0 | 5B | 113 BPM | ||
| Notturno, Op. 54, No. 5 | Cyril Scott, Michael Landrum | F Major | 0 | 7B | 69 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Troubled Water | Margaret Bonds, Joel Fan | C Major | 0 | 8B | 137 BPM | ||
| Summer Music, Op. 31: II. Lively, Still Faster | Samuel Barber, Ensemble Ouranos | D♭ Major | 2 | 3B | 180 BPM | ||
| A Midsummer Night's Dream, Op. 61 (arr. for Wind Quintet): VI. Scherzo. Allegro vivace | Felix Mendelssohn, Ma'alot Quintett | D♭ Major | 2 | 3B | 180 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
| Chapter 168 - The Future | Catherine Leroux, Karie Richards | A♭ Minor | 1 | 1A | 75 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | D♭ Major | 2 | 3B | 180 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | D♭ Major | 2 | 3B | 180 BPM | ||
| Concertino da Camera: I. Allegro con moto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic Orchestra | F Major | 2 | 7B | 121 BPM | ||
| Sancan: Sonatina for Flute and Piano: III. Animé | Pierre Sancan, Emmanuel Pahud, Eric Le Sage | G Major | 1 | 9B | 97 BPM | ||
| Suite bergamasque, L. 75: I. Prelude | Claude Debussy, Elliot Wuu | C Major | 5 | 8B | 154 BPM | ||
| Pacific Triptych (Version for Piano): II. Travelling Music | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Adios Nonino | Eric Baret, Yves Jeanne, Françis Prost, Florent Héau, Bruno Desmouillieres | C Minor | 0 | 5A | 116 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM |