"Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato" by Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset had its release date on May 1, 2012. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Nordic Violin Favourites". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato by Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice | Frederick Delius, Gerald Peregrine, Antony Ingham | C Major | 0 | 8B | 125 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio | Wolfgang Amadeus Mozart, Henning Kraggerud, Norwegian Chamber Orchestra | D Major | 1 | 10B | 150 BPM | ||
| Barocco Suite No. 5 for Chamber Orchestra, Op. 23: V. Siciliana | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | B Minor | 1 | 10A | 66 BPM | ||
| Romance for Violin & Orchestra, Op. 26 | Johan Svendsen, Henning Kraggerud, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 171 BPM | ||
| String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 1 | 10B | 127 BPM | ||
| Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Rachel Barton Pine, Matthew Hagle | B♭ Minor | 1 | 3A | 83 BPM | ||
| Cello Sonata No. 2, Op. 81: I. Allegro moderato | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | A Minor | 1 | 8A | 107 BPM | ||
| Praeludium and Allegro | Fritz Kreisler, Kyung Wha Chung, Phillip Moll | E Minor | 3 | 9A | 128 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Nin: 20 Cantos Populares Españoles: No. 6, Granadina, Chant D'Espagne Pour Violoncelle Et Piano (Arr. Kochanski for Cello and Piano) | Joaquin Nin, Paul Tortelier, John Newmark | D Major | 1 | 10B | 84 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
| Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 86 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | G Major | 4 | 9B | 104 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | G Major | 4 | 9B | 104 BPM | ||
| 7 Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Antonín Dvořák, Danae Dörken, Adrien La Marca | D Major | 0 | 10B | 67 BPM | ||
| Violin Concerto, Op. 14: I. Allegro | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | C Major | 1 | 8B | 95 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| 3 Elegische Stücke, Op. 106: I. Elegie | Christian Sinding, Henning Kraggerud, Christian Ihle Hadland | C Minor | 0 | 5A | 97 BPM | ||
| Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
| Chanson Triste for Double Bass and Piano, Op. 2 | Serge Koussevitzky, Robert Oppelt | C Major | 1 | 8B | 86 BPM | ||
| String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': III. Moderato. Andante. Adagio | Leoš Janáček, Jerusalem Quartet | D♭ Minor | 1 | 12A | 88 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| Concerto for Violin, Cello and Orchestra, Op. 57: V. Bar 434 | Kurt Atterberg, Amus Kerstin Andersson, Mats Levin, Thord Svedlund, Mikael Bergek, Örebro Chamber Orchestra | D Minor | 1 | 7A | 62 BPM |