"Remnant" by Max Richter had its release date on September 2, 2016. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Max Richter's "Morgan (Original Motion Picture Soundtrack)" album is number 12 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Remnant's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Remnant by Max Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Acceptance - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| New Wonder | Oliver Coates | E Major | 2 | 12B | 84 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Life Story | Ólafur Arnalds, Nils Frahm | B Major | 2 | 1B | 75 BPM | ||
| Berceuse | Felix Rösch | C Minor | 0 | 5A | 130 BPM | ||
| The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
| Whispers From The Surface Of A Lake | Hior Chronik, Georgios Papadopoulos | A Minor | 2 | 8A | 143 BPM | ||
| You'll Miss Us One Day | Ben Lukas Boysen | C Major | 1 | 8B | 144 BPM | ||
| Bedruthan Steps (50.480868, -5.031929) | KEYNVOR, Sebastian Plano | D Minor | 2 | 7A | 68 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Season Shifting - Robert Lippok Rework | Niklas Paschburg, Robert Lippok | G Minor | 1 | 6A | 128 BPM | ||
| Grey Cloud Lullaby | Slow Meadow | D Major | 2 | 10B | 63 BPM | ||
| Fairytail | Phoria | F Major | 2 | 7B | 180 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| Für Alina - Extended Version | Arvo Pärt, Alexander Malter | B Minor | 0 | 10A | 68 BPM | ||
| Threnody | Goldmund | D Major | 0 | 10B | 71 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Eros | Nicholas Britell | G Major | 3 | 9B | 84 BPM | ||
| Ode to Mnemosine | Francesca Guccione | F Minor | 1 | 4A | 120 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM | ||
| Clouds, The Mind on the (Re)Wind | Ezio Bosso | D Minor | 2 | 7A | 100 BPM | ||
| Autumn 1 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 1 | 7B | 114 BPM | ||
| One & One | Sebastian Plano, Maarten Vos | A♭ Major | 1 | 4B | 122 BPM | ||
| Dream 0 (Till Break of Day) - Pt. 11 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | F♯ Major | 1 | 2B | 80 BPM |