Anthony Roth Costanzo's ' "Aure Deh Per Pietà" was released on its scheduled release date, August 26, 2022. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Aure Deh Per Pietà's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 48 in For the Birds: The Birdsong Project, Vol. IV by Various Artists. Aure Deh Per Pietà is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aure Deh Per Pietà by Anthony Roth Costanzo is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gli orti esperidi: “Giusto Amor tu che m’accendi” | Nicola Porpora, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | D♭ Major | 2 | 3B | 103 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | B♭ Minor | 0 | 3A | 90 BPM | ||
| Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
| Queste pungente spine | Benedetto Ferrari, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | G Major | 1 | 9B | 115 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Elgar: Sea Pictures, Op. 37: IV. Where Corals Lie, "The deeps have music" (Allegretto ma non troppo) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | B Minor | 1 | 10A | 66 BPM | ||
| Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
| Vespro della Beata Vergine, SV 206: Invitatorium. Versiculum et responsorium "Deus in adjutorium" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 3 | 10B | 62 BPM | ||
| Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Philippe Jaroussky, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM | ||
| Varii, e diversi capricci per camera, Op. 50: Capriccio in eco (nella grotta) | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | A Minor | 1 | 8A | 82 BPM | ||
| Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | ||
| The Lord of Cries, Act I Scene 3: Finale | John Corigliano, Anthony Roth Costanzo, Jarrett Ott, Boston Modern Orchestra Project, Gil Rose | A Major | 4 | 11B | 85 BPM | ||
| Upalo Tchemo Jeso | Gori Women's Choir, Shalva Mosidze | C Minor | 0 | 5A | 175 BPM | ||
| The Lord of Cries, Act I Scene 3: Dionysus on High "Listen!" | John Corigliano, Anthony Roth Costanzo, Boston Modern Orchestra Project, Gil Rose | E Major | 3 | 12B | 67 BPM | ||
| Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
| Laudate pueri: Quis sicut Dominus (Salmo 112), RV 600 | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli | A Minor | 0 | 8A | 77 BPM | ||
| Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
| Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis | E♭ Minor | 1 | 2A | 105 BPM | ||
| Heggie: Great Scott, Act 1: Break (Roane, Chorus) | Jake Heggie, Joyce DiDonato, Anthony Roth Costanzo, Patrick Summers, Dallas Opera Orchestra | F Minor | 4 | 4A | 194 BPM | ||
| Deh Placatevi / Don’t Give Up Medley | Anthony Roth Costanzo, Justin Vivian Bond | C Major | 4 | 8B | 113 BPM | ||
| Ziani / Arr. Pluhar: Dormite o pupille | Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus | E Minor | 1 | 9A | 175 BPM | ||
| The Lord of Cries, Act I: Prologue. Taking the Mask | John Corigliano, Anthony Roth Costanzo, Boston Modern Orchestra Project, Gil Rose | B Major | 4 | 1B | 116 BPM | ||
| Naga, Act II: "My loving embrace" | Scott Wheeler, Stacey Tappan, Matthew Worth, David Salsbery Fry, Anthony Roth Costanzo, Lidiya Yankovskaya, Carolyn Kuan | D Minor | 3 | 7A | 126 BPM |