"The Lord of Cries, Act I Scene 3: Finale" by John Corigliano, Anthony Roth Costanzo, Jarrett Ott, Boston Modern Orchestra Project, Gil Rose had its release date on September 8, 2023. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in John Corigliano, Anthony Roth Costanzo, Boston Modern Orchestra Project, Gil Rose's "John Corigliano: The Lord of Cries" album is number 18 out of 31. On top of that, Netherlands appears to be the country where this track was created. The Lord of Cries, Act I Scene 3: Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lord of Cries, Act I Scene 3: Finale by John Corigliano, Anthony Roth Costanzo, Jarrett Ott, Boston Modern Orchestra Project, Gil Rose to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
| In Your Words | Hollers Gang | D♭ Minor | 2 | 12A | 86 BPM | ||
| Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Christophe Coin | F♯ Major | 0 | 2B | 103 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E Minor | 0 | 9A | 76 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Melodie (Arr. A.K. Glazunov for violin and orchestra) | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 115 BPM | ||
| I. Prayer (Arr. C. Palmer) | Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy | F Minor | 0 | 4A | 103 BPM | ||
| Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
| 12 Caprices for Solo Cello, Op. 25: No. 7, Maestoso | Alfredo Piatti, Soo Bae | C Major | 1 | 8B | 106 BPM | ||
| 7 Canciones populares Españolas: No. 5, Nana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 170 BPM | ||
| Grand Canyon Suite: II. Painted Desert - 2017 Remastered Version | Ferde Grofé, Leonard Bernstein, John Corigliano, New York Philharmonic | B Minor | 0 | 10A | 113 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Korean Elegy | Roxanna Panufnik, Y. J. Kim, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | F♯ Minor | 2 | 11A | 89 BPM | ||
| Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
| Symphony No. 3 for Wind Ensemble "Circus Maximus": VII. Prayer | John Corigliano, The University of Texas Wind Ensemble, Jerry Junkin | F Major | 0 | 7B | 61 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | E Minor | 0 | 9A | 76 BPM | ||
| String Poetic: II. Nocturne | Jennifer Higdon, Jennifer Koh, Reiko Uchida | C Major | 1 | 8B | 85 BPM | ||
| Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian | B Minor | 0 | 10A | 135 BPM | ||
| Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
| El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM |