"Romance en Mi, Op. 67" by Camille Saint-Saëns, 菊池洋子, Radek Baborak had its release date on March 25, 2011. This song appears to be safe for all ages as it is not explicit. The song is number 12 out of 13 in French Recital by 菊池洋子, Radek Baborak. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Romance en Mi, Op. 67 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romance en Mi, Op. 67 by Camille Saint-Saëns, 菊池洋子, Radek Baborak is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 7 Peces de joventut (Youthful Pieces): Record | Manuel Blancafort, Miquel Villalba | F♯ Minor | 0 | 11A | 138 BPM | ||
| Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
| Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
| Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Marie-Elisabeth Hecker, Antwerp Symphony Orchestra, Edo de Waart | E Minor | 1 | 9A | 87 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza. Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 85 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Nocturne Op. 9, No. 2 in E-Flat Major | Joshua Bell | E♭ Major | 1 | 5B | 78 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Allegro non troppo - Cadenza - Molto allegro | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | D Major | 1 | 10B | 92 BPM | ||
| Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM | ||
| Ave Maria, CG 89: Ave Maria - Arranged for Cello and Harp by Miriam Keogh | Gounod, None, Sebastian Comberti, Miriam Keogh | C Major | 2 | 8B | 148 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | ||
| Carnival of the Animals, R. 125: The Elephant | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | B♭ Major | 0 | 6B | 121 BPM | ||
| By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
| Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 132 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
| Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | ||
| 5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM |