John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon's ' "IV. Waltz" was released on its scheduled release date, September 3, 2013. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christopher D. Lewis, Kevin Mallon, West Side Chamber Orchestra's "Glass - Rutter - Francaix: Harpsichord Concertos" album is number 4 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, IV. Waltz's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of IV. Waltz by John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hear My Prayer, O Lord, Z. 15 | Henry Purcell, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| In manus tuas | William Byrd, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| Midwinter (Live) | Stellenbosch University Choir | E♭ Major | 1 | 5B | 129 BPM | ||
| All Hail the Power of Jesus | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 2 | 10B | 139 BPM | ||
| The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| Otche Nash (Our Father) | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
| The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| All-night Vigil, Op. 37: No. 14, Thou Didst Rise from the Tomb | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | E♭ Minor | 0 | 2A | 65 BPM | ||
| O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | ||
| Nocturnes: Sure On This Shining Night | Voce | D♭ Major | 0 | 3B | 128 BPM | ||
| Nativity Carol | John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | D Major | 1 | 10B | 82 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| 4 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 0 | 6A | 67 BPM | ||
| God Be in My Head | Henry Walford Davies, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| The Peacemakers: Dona nobis pacem | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 65 BPM |