"歌曲集「5つの詩」 V. 恋する女たち" by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) had its release date on March 31, 1999. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in プーランク歌曲集全101曲, so we believe that "歌曲集「5つの詩」 V. 恋する女たち" is a single. Based on our statistics, 歌曲集「5つの詩」 V. 恋する女たち's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌曲集「5つの詩」 V. 恋する女たち by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 歌曲集「画家の仕事」 I. パブロ・ピカソ | F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) | A♭ Major | 2 | 4B | 126 BPM | ||
| Sérénade aux étoiles, Op. 142 | Cécile Chaminade, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 105 BPM | ||
| Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto | Franz Schubert, Maxim Emelyanychev, Scottish Chamber Orchestra | G Minor | 1 | 6A | 128 BPM | ||
| La cimarosiana: Larghetto | Gian Francesco Malipiero, Orchestra della Svizzera Italiana, Christian Benda | B♭ Major | 0 | 6B | 73 BPM | ||
| Romance in G Major | Max Reger, Karl Leister, Ferenc Bognar | G Major | 0 | 9B | 106 BPM | ||
| String Quartet In D Major, Op.64, No.5 "The Lark" (Hob.III:63): 2. Adagio. Cantabile | Joseph Haydn, Hagen Quartett | A Major | 0 | 11B | 79 BPM | ||
| Suite from "The Victorian Kitchen Garden": II. Spring. Allegretto | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 65 BPM | ||
| Yesterday's Dreams | Helen Habershon, John Lenehan | F Major | 0 | 7B | 197 BPM | ||
| Duo for Violin and Viola in E Minor, Op. 13: II. Adagio | Louis Spohr, Antje Weithaas, Tabea Zimmermann | C Major | 0 | 8B | 127 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Melodia (After Pyotr Ilyich Tchaikovsky) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | E♭ Major | 0 | 5B | 173 BPM | ||
| Milhaud: Sonatina for Flute and Piano, Op. 76: I. Tendre | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 82 BPM | ||
| Tiento IV Sobre Qui la Dira (After Adriaen Willaert) | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 70 BPM | ||
| Cello Concerto No. 1 in G Major: III. Rondo. Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | C Major | 1 | 8B | 74 BPM | ||
| Telemann: Horn Concerto in D Major, TWV 51:D8: II. Largo | Georg Philipp Telemann, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 72 BPM | ||
| Horn Concerto No. 4 in E-flat Major, K. 495: ii. Romanze: Andante cantabile | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Pantomime des nymphes et des bergers | Christoph Willibald Gluck, Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | B Major | 2 | 1B | 110 BPM | ||
| Serenade in D Major, Op. 23, No. 2, G. 146: II. Pastorale. Più tosto allegro (Version for flute and piano) | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 91 BPM | ||
| Konzert in E-Moll für Violine und Orchester G. 85: 3. Rondo. Allegro | Giovanni Battista Viotti, Maximilian Junghans, Capitol Symphonie Orchester, Douglas Bostock | D♭ Minor | 0 | 12A | 88 BPM | ||
| Andante for Clarinet and Piano in E-flat Major | Othmar Schoeck, Anastasia Schmidlin, Denis Zhdanov | E♭ Major | 0 | 5B | 172 BPM | ||
| Neon Trails | Nomad Skies | D♭ Minor | 0 | 12A | 88 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: II. Adagio, ma non troppo | Carl Maria von Weber, Walter Boeykens, James Conlon, Rotterdams Philharmonisch Orkest | C Major | 0 | 8B | 95 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM |