Various World Reknowed Orchestras And Conductors's ' "Radetsky March" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Radetsky March's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Based on our statistics, Radetsky March's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Radetsky March by Various World Reknowed Orchestras And Conductors is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
| The Approach | Magic Philharmonic Orchestra | F Major | 0 | 7B | 89 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | ||
| Symphony No. 41 in C Major, K 551 "Jupiter" Andante cantibile | The Royal Festival Orchestra | C Major | 1 | 8B | 72 BPM | ||
| La bayadère: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 98 BPM | ||
| Donausagen, op. 446 | Carl Michael Ziehrer, Vienna Walzer Orchestra, Sandro Cuturello | G Major | 2 | 9B | 96 BPM | ||
| Hungarian Dance No. 5 in G Minor: Allegro | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 148 BPM | ||
| Emperor Waltz | Johann Sebastian Strauss, London Festival Orchestra | C Major | 2 | 8B | 67 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
| Suite in A Major, Op. 98b, B. 190 "American": V. Allegro | Antonín Dvořák, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 0 | 8A | 67 BPM | ||
| Suite aus dem Ballett " Schwanensee " , Op. 20a: Walzer | Symphonic Festival Orchestra, Denis Cloutier | A Major | 1 | 11B | 101 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| String Quartet in F Major (Prev. Attrib. Haydn as Op. 3 No. 5): II. Andante cantabile "Serenade" | Roman Hoffstetter, Orpheus Chamber Orchestra | C Major | 0 | 8B | 93 BPM |