"Elevator" by Charlie Clouser had its release date on 2007. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Resident Evil: Extinction (Original Motion Picture Score)". In this album, this song's track order is #28. The popularity of Elevator is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elevator by Charlie Clouser having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Umbrella | Tomandandy | C Major | 9 | 8B | 145 BPM | ||
| Such Sights to Show You | Lovett | A Major | 2 | 11B | 122 BPM | ||
| The Descent, Pt. 2 | David Julyan | D♭ Minor | 2 | 12A | 80 BPM | ||
| Every Ending Has A Beginning | Tyler Bates, Joel J. Richard | D Major | 2 | 10B | 144 BPM | ||
| Last Shot | Alexandre Desplat | D♭ Major | 6 | 3B | 107 BPM | ||
| The Gate | The Fallen Crow | D♭ Major | 4 | 3B | 100 BPM | ||
| More Sinister Than Popcorn | Christopher Young | D♭ Major | 3 | 3B | 72 BPM | ||
| My Number Is 47 | Geoff Zanelli | A Minor | 1 | 8A | 112 BPM | ||
| AxeMan | Tomandandy | A Major | 8 | 11B | 160 BPM | ||
| Clerk Kill | Paul Wiley | D Major | 5 | 10B | 130 BPM | ||
| The Shape Burns | John Carpenter, Cody Carpenter, Daniel Davies | E Major | 4 | 12B | 136 BPM | ||
| 28 Theme | John Murphy | D Minor | 2 | 7A | 76 BPM | ||
| Ave Satanus | Universal Production Music | G Minor | 4 | 6A | 120 BPM | ||
| What Boy, Ma'am? / Main Titles | Harry Manfredini | C Major | 2 | 8B | 80 BPM | ||
| Onryō | The Newton Brothers | C Major | 0 | 8B | 110 BPM | ||
| The Sarcophagus | Jerry Goldsmith | B♭ Minor | 1 | 3A | 81 BPM | ||
| the Conjuring | joseph bishara | D Major | 1 | 10B | 86 BPM | ||
| Finale | Samuel Laflamme | C Minor | 2 | 5A | 96 BPM | ||
| Knighty Knight | Émoi | G Minor | 5 | 6A | 87 BPM | ||
| Goosebumps Theme Song (Instrumental) | Jack Lenz | C Major | 9 | 8B | 105 BPM | ||
| Netherrealm Incursion | Wilbert Roget, II | D♭ Major | 3 | 3B | 79 BPM | ||
| Dear Clarice | Hans Zimmer, Anthony Hopkins, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Minor | 1 | 8A | 168 BPM | ||
| Threnody in X | The X-Files | D Minor | 7 | 7A | 180 BPM | ||
| Zepp Eight | Charlie Clouser | D Major | 7 | 10B | 138 BPM | ||
| The Final Zepp | Charlie Clouser | G Minor | 5 | 6A | 139 BPM |