Charlie Clouser's ' "The Final Zepp" was released on its scheduled release date, November 2, 2010. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Saw 3d (Original Score Soundtrack)". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, The Final Zepp's popularity is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Final Zepp by Charlie Clouser having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| See What I've Become | Zack Hemsey | A♭ Major | 9 | 4B | 120 BPM | ||
| Male Ward Chase | Samuel Laflamme | D♭ Major | 7 | 3B | 163 BPM | ||
| Funeral March | 2WEI | D♭ Major | 5 | 3B | 101 BPM | ||
| Finale | Henry Jackman, Matthew Margeson | C Minor | 5 | 5A | 99 BPM | ||
| Estasi Dell Anima | David Sardy | A Minor | 5 | 8A | 82 BPM | ||
| Pompeii | E.S. Posthumus | C Major | 9 | 8B | 87 BPM | ||
| Frankenstein's Monster | Henry Jackman | A♭ Major | 3 | 4B | 68 BPM | ||
| Main Title | Charlie Clouser | C Major | 5 | 8B | 140 BPM | ||
| Meeting Bruce Wayne | Hildur Guðnadóttir | F♯ Minor | 4 | 11A | 100 BPM | ||
| The Exorcist - Main Theme - Epic Version | Baltic House Orchestra | E Minor | 9 | 9A | 140 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 4 | 9B | 119 BPM | ||
| Tubular Bells - Believer | David Wingo, Amman Abbasi | A Minor | 4 | 8A | 150 BPM | ||
| Waiting for Gods | Epic Score | A Major | 8 | 11B | 90 BPM | ||
| Compelled | Jack Trammell | D Major | 7 | 10B | 75 BPM | ||
| Smoke on the Water | 2WEI | F Minor | 9 | 4A | 124 BPM | ||
| To Glory | Thomas Bergersen, Two Steps from Hell | A♭ Major | 5 | 4B | 144 BPM | ||
| Commencement | Nathan Whitehead | D Major | 3 | 10B | 115 BPM | ||
| Axemen | Tomandandy | D♭ Major | 9 | 3B | 160 BPM | ||
| Starship Troopers - Klendathu Drop | Hollywood Pictures Orchestra | F Minor | 4 | 4A | 61 BPM | ||
| Umbrella | Tomandandy | C Major | 9 | 8B | 145 BPM | ||
| Anthropic Universe | Sarah Schachner | A Minor | 3 | 8A | 100 BPM | ||
| Destructo | Hi-Finesse | E Major | 8 | 12B | 71 BPM | ||
| Sledgehammer | John Debney | D Major | 7 | 10B | 78 BPM | ||
| Los Angeles | Tomandandy | D Major | 7 | 10B | 109 BPM | ||
| Enter The Asylum | Nick Arundel | E♭ Minor | 1 | 2A | 76 BPM |