Rodolfo Biagi, Miguel Caló, Raul Iriarte's ' "Los Despojos" was released on its scheduled release date, May 26, 1959. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Los Despojos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rodolfo Biagi's "Musica de Mi Ciudad" album is number 39 out of 45. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, Los Despojos's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Los Despojos by Rodolfo Biagi, Miguel Caló, Raul Iriarte to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Buey Solo | Orquesta Típica Tanturi | A♭ Major | 4 | 4B | 141 BPM | ||
| Sin Sabor | Orquesta Social Tango | G Major | 4 | 9B | 135 BPM | ||
| Vida Querida | Osvaldo Fresedo y su Orquesta Típica | C Minor | 4 | 5A | 132 BPM | ||
| Hasta Siempre Amor | Orquesta Carlos di Sarli, Horacio Casares | D Minor | 4 | 7A | 61 BPM | ||
| Después | Rodolfo Biagi, Miguel Caló | D Major | 3 | 10B | 128 BPM | ||
| Mi Vida en Tu Manos | Rodolfo Biagi, Orquesta Rodolfo Biagi | D Major | 3 | 10B | 122 BPM | ||
| El Adiós | Edgardo Donato | D♭ Minor | 3 | 12A | 124 BPM | ||
| Todo Te Nombra | Pablo Valle Sexteto | B♭ Major | 2 | 6B | 127 BPM | ||
| La Melodia del Corazon | Edgardo Donato Orchestra | C Minor | 2 | 5A | 128 BPM | ||
| Francia | Quinteto Pirincho | D Minor | 3 | 7A | 190 BPM | ||
| Un Crimen | Miguel Caló, Raúl Berón | B Major | 1 | 1B | 126 BPM | ||
| Cachirulo | Hyperion Ensemble | F Major | 4 | 7B | 145 BPM | ||
| Pedacito de cielo | Orquesta tipica Miguel Calo (Singer:Alberto Podesta) | C Major | 3 | 8B | 104 BPM | ||
| Andate por Dios | La Juan D'Arienzo | A Major | 6 | 11B | 137 BPM | ||
| Derrotado | Roberto Florio, Orquesta Carlos di Sarli | A Major | 4 | 11B | 112 BPM | ||
| Toda Mi Vida | Aníbal Troilo Y Su Orquesta Típica | D Minor | 4 | 7A | 133 BPM | ||
| Milonga Vieja Milonga | Miguel Villasboas | C Minor | 7 | 5A | 104 BPM | ||
| No Me Supiste Amar | Orquesta Carlos di Sarli, Horacio Casares | A Minor | 3 | 8A | 121 BPM | ||
| Recuerdo Malevo | Orquesta Típica Tanturi, Roberto Malevo | A Minor | 0 | 8A | 85 BPM | ||
| Anibal Troilo | Julio De Caro | D Minor | 3 | 7A | 119 BPM | ||
| Temo | Orquesta Tipica Victor | A Major | 4 | 11B | 110 BPM | ||
| Historia de un Amor | Donato Racciatti y Su Orquesta Típica, Olga Del Grossi | D Major | 4 | 10B | 127 BPM | ||
| Dejame Amarte Aunque Sea Un Dia (From 'El Ultimo Asios') | Andres Falgas, Rodolfo Biagi | C Major | 2 | 8B | 103 BPM | ||
| Recien | Ricardo Tanturi y Enrique Campos | B Minor | 3 | 10A | 123 BPM | ||
| Malena | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM |