"String Quartet In G Minor, Hob. III:74, Op. 74 No. 3 "The Horseman": 2. Largo assai" by Joseph Haydn, Emerson String Quartet had its release date on January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "The Haydn Project". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. String Quartet In G Minor, Hob. III:74, Op. 74 No. 3 "The Horseman": 2. Largo assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet In G Minor, Hob. III:74, Op. 74 No. 3 "The Horseman": 2. Largo assai by Joseph Haydn, Emerson String Quartet having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto No. 2 in A Major: III. Rondo. Allegretto | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | E Minor | 1 | 9A | 96 BPM | ||
| Suite for Orchestra No. 1 in C Major, BWV 1066: Menuett I & II | Johann Sebastian Bach, Ton Koopman | A♭ Major | 3 | 4B | 114 BPM | ||
| Proserpine: Overture in D Major: II. Andante | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Minor | 0 | 7A | 73 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Symphony No. 99 in E-Flat Major, Hob. I:99: IV. Finale. Vivace | Joseph Haydn, Kolner Kammerorchester, Helmut Müller-Brühl | G Minor | 1 | 6A | 99 BPM | ||
| Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
| Handel: Concerto grosso in C Minor, Op. 6 No. 8, HWV 326: IV. Adagio | George Frideric Handel, Nikolaus Harnoncourt, Anita Mitterer, Concentus Musicus Wien | C Major | 1 | 8B | 124 BPM | ||
| Keyboard Sonata in C Major, C. 14: I. Andantino | Domenico Cimarosa, Stefano Miceli | C Major | 1 | 8B | 108 BPM | ||
| Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | D Major | 1 | 10B | 157 BPM | ||
| Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": III. Rondo Allegro | Benjamin Frith, Royal Northern Sinfonia, John Field | C Major | 1 | 8B | 107 BPM | ||
| Symphony No. 6 in D Major, Hob.I:6 "Le Matin": IV. Finale. Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | B♭ Major | 4 | 6B | 89 BPM | ||
| Concerto for Trumpet and Orchestra in E Major: I. Allegro con spirito | Johann Nepomuk Hummel, Virtuosi Saxoniae, Ludwig Güttler | B Major | 2 | 1B | 137 BPM | ||
| Symphony No. 50 in D Minor, Op. 10, No. 5: III. Presto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | B Major | 1 | 1B | 176 BPM | ||
| Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | D Major | 4 | 10B | 134 BPM | ||
| Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM | ||
| Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: I. Allegro giusto | Franz Schubert, David Grimal, Valery Afanassiev | E♭ Major | 1 | 5B | 120 BPM | ||
| Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | F Major | 1 | 7B | 131 BPM | ||
| Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville): Sinfonia | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | G Major | 1 | 9B | 97 BPM | ||
| Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
| El rapto de las Sabinas, Suite No. 2, Acto II, No. 14: Maestoso | Joan Enric Lluna, Moonwinds | E♭ Major | 1 | 5B | 135 BPM | ||
| String Quintet in G Major, Op. 77: III. Poco andante | Antonín Dvořák, Berlin Philharmonic String Quintet | G Major | 1 | 9B | 135 BPM | ||
| Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | F Major | 0 | 7B | 62 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM |