Jeff Broadbent's 'Mirage In Transit' had a release date set for November 8, 2011. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Mirage In Transit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Transformers: Dark of the Moon (Original Video Game Score)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Mirage In Transit's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mirage In Transit by Jeff Broadbent having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Queen Slime | Scott Lloyd Shelly, Re-Logic | C Major | 6 | 8B | 120 BPM | ||
| Bees Ate My Cannoli | Jeff Broadbent | F Major | 5 | 7B | 149 BPM | ||
| Town Night | Scott Lloyd Shelly, Re-Logic | F Major | 3 | 7B | 160 BPM | ||
| You Will Be Perfect | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Mirage In Transit | Jeff Broadbent | D Minor | 8 | 7A | 125 BPM | ||
| Hellpods Primed | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Through the Trees | Halo, Joel Corelitz | F Major | 6 | 7B | 102 BPM | ||
| 25 3°N 91 7°E | Chris Christodoulou | F Major | 6 | 7B | 90 BPM | ||
| Holding Up the Sky | Jason Hayes, Mike Patti, StarCraft, Blizzard Entertainment | A♭ Major | 6 | 4B | 150 BPM | ||
| Extraterrestrial Power | Jonathan Geer | G Minor | 7 | 6A | 92 BPM | ||
| Dark Skies | ReScore | E Minor | 5 | 9A | 100 BPM | ||
| Alien Base Assault | Adam Schneider | G Major | 9 | 9B | 126 BPM | ||
| Sharks Just Wanna Play | Jannik Schmidt | C Minor | 6 | 5A | 70 BPM | ||
| Combat & Extras: E:D Menus | Erasmus Talbot | A Minor | 2 | 8A | 115 BPM | ||
| Ode to the Fallen | Sophus Alf Agerbæk-Larsen, Troels Rohde Jørgensen | D Minor | 3 | 7A | 180 BPM | ||
| The March Of Profits | Paradox Interactive, Martin Hall | G Major | 4 | 9B | 86 BPM | ||
| Decades of Science | Harry Callaghan | F♯ Minor | 3 | 11A | 99 BPM | ||
| Trabzon Airfield | Jack Wall | A♭ Major | 5 | 4B | 90 BPM | ||
| The Joy of Parkour | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Neotropolis | Karl Flodin | F Minor | 9 | 4A | 137 BPM | ||
| Cratered | Halo, Gordy Haab, Brian Trifon, Brian Lee White | E Major | 4 | 12B | 136 BPM | ||
| Through a Cloud, Darkly | Chris Christodoulou | A Minor | 1 | 8A | 120 BPM | ||
| Nonna’s Witness Protection Pasta | Jeff Broadbent | F Major | 5 | 7B | 139 BPM | ||
| Redstone Mines | Johan Johnson, Minecraft | B Minor | 5 | 10A | 95 BPM | ||
| Crystal Peak | Christopher Larkin | E Minor | 5 | 9A | 120 BPM |