"Wedding Song" by Terry Riley had its release date on 2002. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Wedding Song's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Atlantis Nath by Tim Heidecker, Terry Riley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Wedding Song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wedding Song by Terry Riley is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cells 35-41 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 110 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| Family Love Part 2 | kordz, Tamriko Kordzaia | B Minor | 2 | 10A | 62 BPM | ||
| Won't Be a Thing to Become | Colin Stetson, Sarah Neufeld | C Major | 3 | 8B | 91 BPM | ||
| In The Summer | Terry Riley | A Minor | 4 | 8A | 127 BPM | ||
| Partita for 8 Singers: 2. Sarabande | Caroline Shaw, Roomful of Teeth, Brad Wells | C Major | 2 | 8B | 62 BPM | ||
| Heron Dance | Ursula K. Le Guin, Todd Barton | G Major | 4 | 9B | 130 BPM | ||
| No Sun To Burn (for brass) | Kali Malone | G Minor | 0 | 6A | 78 BPM | ||
| Abschied | Popol Vuh | E♭ Minor | 1 | 2A | 82 BPM | ||
| Slipstream | Jon Hassell | F♯ Minor | 5 | 11A | 82 BPM | ||
| Go Through My Crystal Flesh | SOULMEATPATTERN | B Minor | 2 | 10A | 62 BPM | ||
| Stimmung: Model 1 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | D Minor | 0 | 7A | 66 BPM | ||
| The Flood | Yom | B Minor | 2 | 10A | 62 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Feeling Real Heavy | Brecht Ameel | E Major | 1 | 12B | 77 BPM | ||
| Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM | ||
| In a Landscape | John Cage, Herbert Henck | D Minor | 0 | 7A | 66 BPM | ||
| Let's Think About It (Live) | Marina Frescobaldi | A♭ Major | 1 | 4B | 72 BPM | ||
| Phrygian Ganymede | Drew Daniel, The Soft Pink Truth | B Minor | 2 | 10A | 62 BPM | ||
| Whispering Drums | Clarity Waves | C Major | 0 | 8B | 70 BPM | ||
| Niskayuna | Daniel Blumberg | B Minor | 2 | 10A | 62 BPM | ||
| Melancholia I | William Basinski | E Major | 1 | 12B | 80 BPM | ||
| Performance One - Part 1 | Terry Riley | G Minor | 2 | 6A | 74 BPM | ||
| Hesitant Weather | K. Leimer | B Minor | 2 | 10A | 62 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM |