Juan Hunter's ' "Necessary Roughness" was released on its scheduled release date, June 15, 2011. Necessary Roughness is explicit and may not be suitable for children. With the duration being about 3:59, this song is close to the average duration of a typical track. The track order of this song in Juan Hunter's "Game: Necessary Roughness" album is number 2 out of 17. The popularity of Necessary Roughness is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Necessary Roughness by Juan Hunter to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hustle 2 a Koffin | Juan Hunter | A Major | 5 | 11B | 88 BPM | ||
| Momentum | Stevie Stone | G Major | 6 | 9B | 144 BPM | ||
| Frat House | Slaughterhouse | D♭ Minor | 9 | 12A | 94 BPM | ||
| Back in the Day | Mission : Infect, Badluck, GrewSum, Lo Key | D♭ Major | 9 | 3B | 150 BPM | ||
| Heart of the City (Who Dat) | Mf'n Music, X-Man, Bigshott, Bigrec, Kuniqua | E Minor | 10 | 9A | 97 BPM | ||
| Ridiculous (Oiki Remix) | Dope D.O.D. | B Major | 10 | 1B | 160 BPM | ||
| I Came to Party | Deuce | F Major | 9 | 7B | 140 BPM | ||
| The Difference | Packy | B Minor | 9 | 10A | 150 BPM | ||
| A Cut Above | Avery Watts | A♭ Major | 10 | 4B | 180 BPM | ||
| Jag såg ett lejon där | Fronda | B Minor | 7 | 10A | 128 BPM | ||
| Here Comes the Boom | EbGb | D♭ Minor | 5 | 12A | 87 BPM | ||
| Rise Up | Mountains vs. Machines, That Kid CG | E Minor | 8 | 9A | 172 BPM | ||
| Necessary Roughness | Juan Hunter | D♭ Minor | 6 | 12A | 178 BPM | ||
| State of War | David Steen | B♭ Minor | 7 | 3A | 90 BPM | ||
| Home of the brave | Heroic | G Major | 9 | 9B | 95 BPM | ||
| Stop (One More Time) [feat. Erik Kallman] | Ghost Kollective | C Minor | 9 | 5A | 180 BPM | ||
| By My Side | ESV Eastside Villainz | B♭ Minor | 8 | 3A | 119 BPM | ||
| Permanent Enemy | The Jokerr | B♭ Major | 8 | 6B | 88 BPM | ||
| True Lies (Dirty) [feat. Vinnie Paz & Hasan Salaam] | Block McCloud, Vinnie Paz, Hasan Salaam | B♭ Minor | 8 | 3A | 171 BPM | ||
| 3Rd Lecture (Cuts By DJ White Shadow) | Chief Kamachi, DJ White Shadow, Cetty | D Major | 9 | 10B | 93 BPM | ||
| What Have We Become | Dead Celebrity Status, Limore | D♭ Minor | 8 | 12A | 145 BPM | ||
| Hunter | Tonedeff | E♭ Minor | 8 | 2A | 180 BPM | ||
| In My Prayers | Bingx, ArtBySeven | A Minor | 7 | 8A | 76 BPM | ||
| I'm A Villain | Brux Blank Music | A Minor | 10 | 8A | 95 BPM | ||
| Dancing on the Sun | Dead Celebrity Status, Charlie Berger | D♭ Minor | 9 | 12A | 96 BPM |