On November 1, 1995, the song "Jocks, Pt. 2" was released by Barkha Rani, Bhagwan Das Sharma. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Barkha Rani, Bhagwan Das Sharma's "Jawaniya Samhaal" album is number 9 out of 9. On top of that, India appears to be the country where this track was created. Jocks, Pt. 2 is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jocks, Pt. 2 by Barkha Rani, Bhagwan Das Sharma to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baachi Na Izatiya | Barkha Rani | D♭ Major | 3 | 3B | 92 BPM | ||
| Aana Re Guiya | Dilip Shadangi, Anita Mandal | A♭ Minor | 9 | 1A | 74 BPM | ||
| Tola Bandav Vo 2 | Gorelal Barman | A♭ Minor | 7 | 1A | 116 BPM | ||
| Mahua Re Mahua Phulay Gel | Pankaj | D Minor | 9 | 7A | 145 BPM | ||
| Fagun a Ruwar | SANTHALI AKHARA | D Major | 7 | 10B | 132 BPM | ||
| Tuma Ke Chani | Nitin Dubey, Sharmila Biswas | A♭ Minor | 8 | 1A | 155 BPM | ||
| Mor Fat Jathe | Seema Kaushik, Sunil, Pradep, Nijam | A♭ Major | 8 | 4B | 128 BPM | ||
| Tahi Mola Baiha Banaye | Gofelal Gendle, Savitri Gendle | C Major | 8 | 8B | 120 BPM | ||
| Jamajam Jawani Re | Sanjay Surila, Pramila Koya, Vijaya Raut | F Major | 9 | 7B | 144 BPM | ||
| Tumar Deya Apoman | Emon Khan | F♯ Minor | 9 | 11A | 106 BPM | ||
| Na Kand Re Dil | Suraj Kumar, Bilung Sandhaya Karun | A♭ Minor | 8 | 1A | 155 BPM | ||
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Aadivasi Puriya | Sohan Bhai Rajawat, Pradnya Jadhav, International Tribal, Rikesh Kirade | G Major | 8 | 9B | 133 BPM | ||
| Ranchi Lohardaga Gadi Sange Sange Ghumabu | Selem Nagpuri | C Minor | 7 | 5A | 129 BPM | ||
| Chhono Mono | Vishnu Mandal, Barkha Rani | A♭ Minor | 8 | 1A | 155 BPM | ||
| Khake Dheere Dheere Sadhaav | Barkha Rani, Bhagwan Das Sharma | E♭ Major | 5 | 5B | 141 BPM | ||
| Marai Manchan | Barkha Rani | F♯ Major | 5 | 2B | 81 BPM | ||
| Soni I Love You | Vishnu Nayak | E Major | 6 | 12B | 152 BPM | ||
| Tore Moy Ashiq Ban Gelo | Pankaj | A Major | 7 | 11B | 92 BPM | ||
| Le Le Babu Le Le | Sanjay Surila | G Major | 8 | 9B | 120 BPM | ||
| Sayinya Bhayile Chori | Bijli Rani, Rekha Rani, Barkha Rani | D Major | 7 | 10B | 91 BPM | ||
| Jhoomka Gira Re - Group Mein | Bijli Rani, Rekha Rani, Barkha Rani | D Major | 6 | 10B | 146 BPM | ||
| Pehle Pehle Dekhlo Toke | Selem Nagpuri | E Minor | 10 | 9A | 199 BPM | ||
| Chaam Chaam Payal Baaje - Nagpuri | Pawan Roy, Monika Mundu | F Major | 9 | 7B | 138 BPM | ||
| Darde Dil | Pawan | D♭ Major | 10 | 3B | 133 BPM |