On July 1, 1980, the song "The Factory" was released by Herb Alpert. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 9 out of 9 in Beyond by Herb Alpert. The popularity of The Factory is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Factory by Herb Alpert is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keep On Hustlin' | Van McCoy | B♭ Major | 6 | 6B | 106 BPM | ||
| Emotion | Samantha Sang, Bee Gees | C Major | 4 | 8B | 184 BPM | ||
| Roman Guitar - Alternate Take | Tony Mottola | D Major | 4 | 10B | 149 BPM | ||
| Italy | Dudley Moore Trio | A♭ Major | 2 | 4B | 182 BPM | ||
| Quiet Village | Martin Denny | D Major | 4 | 10B | 149 BPM | ||
| Midnight at the Oasis | Maria Muldaur | D♭ Major | 5 | 3B | 99 BPM | ||
| Rio Nights | Shakatak | F Major | 4 | 7B | 110 BPM | ||
| Close Encounters of the Third Kind | Gene Page | A Major | 4 | 11B | 124 BPM | ||
| What A Difference A Day Made | Edmundo Ros & His Orchestra | C Minor | 6 | 5A | 133 BPM | ||
| Guantanamera | The Sandpipers | G Major | 3 | 9B | 207 BPM | ||
| A Man And A Woman/Live For Life | Billy May, Leroy Holmes | E Minor | 3 | 9A | 118 BPM | ||
| This Guy’s In Love With You | Dave Koz, Herb Alpert | D♭ Major | 3 | 3B | 100 BPM | ||
| Up, Up and Away | The 5th Dimension | G Minor | 4 | 6A | 108 BPM | ||
| Green Eyes | Les & Larry Elgart | G Minor | 5 | 6A | 128 BPM | ||
| Half Forgotten Daydreams | John Cameron | B♭ Major | 5 | 6B | 84 BPM | ||
| Popsicle Toes | Michael Franks | G Major | 4 | 9B | 126 BPM | ||
| Girl Talk - Remastered | Billy May, Time-Life Orchestra | F Minor | 3 | 4A | 216 BPM | ||
| A Lover's Concerto | Horst Jankowski | C Minor | 5 | 5A | 125 BPM | ||
| Stranger On The Shore | Pete Fountain | B♭ Major | 1 | 6B | 101 BPM | ||
| Bye Bye Blues | Bert Kaempfert | E Major | 3 | 12B | 124 BPM | ||
| Prestige Production | Neil Richardson | F Minor | 6 | 4A | 112 BPM | ||
| Till There Was You | Billy May | E♭ Major | 2 | 5B | 92 BPM | ||
| Boulevard of Broken Dreams | Esquivel And His Orchestra | G Major | 9 | 9B | 75 BPM | ||
| Hill Street Blues - From "Hill Street Blues" | Daniel Caine Orchestra | E♭ Major | 4 | 5B | 98 BPM | ||
| Music Box Dancer | Frank Mills | F Major | 2 | 7B | 116 BPM |